Radiohead Quotes
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If I'm on a train, with headphones, MP3s are great. At home, I prefer CD or vinyl, partly because they sound a little better in a quiet room and partly because they're finite in length and separate things, unlike the endless days and days of music stored on my laptop.
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'There's nothing more boring than a rock'n'roll star, someone who has been on the road for 10 years, expecting attention wherever he goes, drinking himself stupid, who is obnoxious, incoherent, uncreative and has a massive ego. There's nothing more pointless.' - source
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I don't mind when people are telling me about their 1971 Firebird, but it's the same thing as people telling me about their car or something. It's fine if you have an interest. By talking with me, though, you could be interviewing a novelist about guitars. It's the same thing, except I don't write that well either.
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We didn't start out to make a protest record at all. That would have been too shallow. As usual, it was simply a case of absorbing what's going on around us.
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It feels like Radiohead are famous, but that no one knows who we are. Which is brilliant, really.
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We stuck the record head so it kept on recording over and over on top of itself and played keyboard notes into it to create this ghost repetition melody.
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Q: Does commercial success matter to you?
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I hope I'm not sort of blowing our own trumpet, but I think Thom is probably the finest lyricist in the UK of his generation at the moment and hes always trying to progress, as we as musicians try to do ourselves. Theres this nice relationship between the lyrics and the music.
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There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music.
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It's what the Pixies always said about music - they were writing songs and just trying not to be boring. That was their main motivation and it worked for them. I remember reading that and thinking that was the way to do it.
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It was the first time she'd seen us in four years. Before the doors opened, I went round looking at the V.I.P. section, and I saw that Madonna had the best table in the house and my mum's table was way in the back. I thought, 'I'm not having this,' so I swapped the signs on the tables around. So, Madonna was at the back, and my mum had the best table in the house, between U2 and R.E.M. And that's exactly how it should be.
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One of the books we read a few years ago that had a big effect on us was Repeated Takes by Michael Chanan.
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I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.
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Being in a band turns you into a child and keeps you there.
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Motion Picture Soundtrack on Kid A was another Coltrane inspiration.
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I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result.
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He's an amazing musician. He's from a totally musical background, not what I've come from at all; I'm completely self-taught. It probably shows in Jonny, he knows all the theory. But what's great about him is he's got that feel. I've never been interested in lead guitarists. He must be the only lead guitarist I like. I don't get Clapton. I don't get any of that stuff. But he's got an amazing feel, an amazing musicality.
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I think the biggest problem we have is taking too long over things. Not in terms of getting it right, but sometimes we do things quickly that are really good.
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It would've made more sense had we brought another record out between this one and the last one. If you paid close attention, the b-sides, like "Lucky" and "Talk Show Host" have documented that passage.
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Occasionally I play the music for my mother when she demands to hear it and she always just says, 'Who is that singing? I don't like the singing.' And then she says 'Who's doing all that bumpety-bump noise?' It's all noise backing up horrible singing as far as she's concerned. She's not a show-biz mother.
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'I wouldn't be involved with it pop music if I wasn't aware that it was going to be a product. I always wanted whatever I did to end up in the high street, no matter what it was, because to me, there isn't anywhere else to go. It's pointless.' source
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If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.
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Well, my son really loves wildlife. And everytime he draws a polar bear I want to tell him there probably won't any by the time... he's my age. That's kinda hard to deal with.
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With our website we didn't want people to come to our site and find out about Radiohead. We wanted them to come to our site and find out about what Radiohead are finding out about.