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He's an amazing musician. He's from a totally musical background, not what I've come from at all; I'm completely self-taught. It probably shows in Jonny, he knows all the theory. But what's great about him is he's got that feel. I've never been interested in lead guitarists. He must be the only lead guitarist I like. I don't get Clapton. I don't get any of that stuff. But he's got an amazing feel, an amazing musicality.
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When people say you're doing something radical in rock or dance music, I'm not sure how special that is. What we do is so old-fashioned. It's like trying to do something innovative in tap-dancing.
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If we get the music across, then that's the most important thing. If you can still make it intimate.
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You are never, ever gonna get a drummer to dis another one. It's part of the drumming rules, as important as being able to keep pace or smashing up hotel rooms. Drummers do not dis!
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In Kid A and Amnesiac, the guitar becomes one more texture, difficult to separate from other textures.
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Well, my son really loves wildlife. And everytime he draws a polar bear I want to tell him there probably won't any by the time... he's my age. That's kinda hard to deal with.
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We stuck the record head so it kept on recording over and over on top of itself and played keyboard notes into it to create this ghost repetition melody.
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I've seen the Mass For The End Of Time in concert but my brother's the more musical one really.
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I'm not afraid of computers taking over the world.
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I mean, I'm in a band, we're reasonably successful, I've got a very nice suit - I'm not even a bad person- so why can't I get a shag?
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I'm going to have classical piano lessons next.
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It's about the lack of control. You feel more sad than angry. But why Thom sings 'crushed like a bug in the ground', I don't know. "I hope I'm not sort of blowing our own trumpet, but I think Thom is probably the finest lyricist in the UK of his generation at the moment and hes always trying to progress, as we as musicians try to do ourselves. Theres this nice relationship between the lyrics and the music.
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Probably our biggest criticism of ourselves is we think too much. We all went to university and have never thought there was anything wrong with thinking too much.
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I think the third album will be celebratory and maybe not so inward-looking; that would be great. I think thinking is a good thing but there are times when you just say 'fuck it'. We're allowed to make mistakes.
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I'm quite into listening to music and not doing anything else.
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People need to focus on bigger issues instead of whether George Bush is an idiot or not.
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For me that's what's fascinating about the internet, that aggregate thing.
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I like playing the stuff where I don´t know what I´m gonna play. Like the end of Fake Plastic Trees or the end of Paranoid Android - stuff where I can do anything and no one notices or cares.
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And I know I'm paranoid and neurotic, I've made a career out of it.
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This was something that was obsessing me and creating a writer's block. To get involved and get stuck in, get the proper information about what's going on has really helped.
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Phil is a real drummer's drummer.
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Anything that broadens your musicality always moves the way you write drum or guitar parts.
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One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.
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I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.