Radiohead Quotes
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My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.
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In Kid A and Amnesiac, the guitar becomes one more texture, difficult to separate from other textures.
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We try to treat everywhere we play differently and that's really important.
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I'm going to have classical piano lessons next.
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A drunken evening that spawned probably my favourite track. Thom's one-take vocal crouching in the corner was particularly memorable, he may have been unable to stand. Love colin's bass groove thing on this.
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The strangest part of Indian music is its lack of chords: There's no such thing as major or minor, and it's unusual to hear more than two different pitches at the same time.
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Rock music is quite big in India - but it mostly just replaces all the intricacies of Indian rhythms and Indian melody with lumpen rock drumming and power chords.
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If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.
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Occasionally I play the music for my mother when she demands to hear it and she always just says, 'Who is that singing? I don't like the singing.' And then she says 'Who's doing all that bumpety-bump noise?' It's all noise backing up horrible singing as far as she's concerned. She's not a show-biz mother.
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Warp was important to Thom about two years ago when he was looking for different sounds.
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It's about the lack of control. You feel more sad than angry. But why Thom sings 'crushed like a bug in the ground', I don't know. "I hope I'm not sort of blowing our own trumpet, but I think Thom is probably the finest lyricist in the UK of his generation at the moment and hes always trying to progress, as we as musicians try to do ourselves. Theres this nice relationship between the lyrics and the music.
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For me that's what's fascinating about the internet, that aggregate thing.
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I've seen the Mass For The End Of Time in concert but my brother's the more musical one really.
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Generally speaking, if people are prepared to stick their heads above the power pit, like Zinn says, and absorb what's going on around them, it makes them think.
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Phil is a real drummer's drummer.
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I think sometimes all the charities are doing is mopping up the blood. It's a shame.
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Probably our biggest criticism of ourselves is we think too much. We all went to university and have never thought there was anything wrong with thinking too much.
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People need to focus on bigger issues instead of whether George Bush is an idiot or not.
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Anything that broadens your musicality always moves the way you write drum or guitar parts.
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You are never, ever gonna get a drummer to dis another one. It's part of the drumming rules, as important as being able to keep pace or smashing up hotel rooms. Drummers do not dis!
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I've never believed that pop music is escapist trash. There's always a darkness in it, even amidst great pop music.
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But over a period of time It's the melodic things that are in my head all day.
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I like playing the stuff where I don´t know what I´m gonna play. Like the end of Fake Plastic Trees or the end of Paranoid Android - stuff where I can do anything and no one notices or cares.
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One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.