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Maybe I'm used to religious music being gentler in the classical world.
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The vocal parts are really interesting because it's the first album that we - as a band - haven't been aware of what Thom's singing about. He didn't talk about his lyrics.
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I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.
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So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.
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Obviously there will be a backlash. If you believe the hype you have to believe a backlash too. Any criticism we get, is always stuff we've already criticised ourselves.
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It takes so long to make a record and then it takes so long again to release it.
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The rest of the band were basically friends, So it was me following them around and begging them to let me be in their band for two or three years. And they finally let me in on the harmonica, actually, and then the keyboards, and finally the guitar.
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Thom's a really great guitarist. He plays terrific rhythm, but he doesn't like to talk about it because he thinks he sounds like Brian May. He grew up with Queen. There were times when we've been competitive, but we've got this really nice situation where if one guitarist doesn't play in a song, we're okay with it. We can really chill out and enjoy it.
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I think It's a bit of a disappointment that a lot of people's Golden Age of music is still the '60s.
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I was happy using cassettes when I was fifteen, but I'm sure they were sneered at in their day by audiophiles.
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I went to a boys' school, and I didn't realize that most guys join bands because they wanted to get girls. I was not really focused on that the way everybody else was.
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That's why I love playing shows, you've got thousands of people sharing their personal passion for the music with each other, it's such a wonderful thing to be able to curate.
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The trick with computers I think, is to approach old and new things with the same reverence as you would like your favourite chair and not be seduced by the constant innovation otherwise you never do anything.
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I trained as a classical guitarist but that was it.
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Nothing's more exciting than a day in a studio with a string section - or more ruinously expensive. So it's good to feed that habit away from the band, especially if it means more experience for the next Radiohead string day.
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'People sometimes say we take things too seriously, but it’s the only way you’ll get anywhere. We’re not going to sit around and wait and just be happy if something turns up. We are ambitious. You have to be.' (in his first-ever interview, 1991) source
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I think a lot of tunes can suffer from being so simple, so either they get over-complicated or their simplicity means the simple way to lay them down becomes the difficulty.
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I fell in love with electronics, which for me was the terra incognita, because I had never heard such sounds. If you'd asked me 50 years ago, I would have said the future of music is only electronic, but I would have been wrong. I learnt how to produce everything I needed with live instrumentalists, so I don't need electronics.
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Our site should be like Paddington Station with a much better version of WH Smith's in it.
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I think guitarists are really over-admired and over-revered.
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As you get older you realize how important your emotional response is to any kind of music.
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'I don't think young people are as demoralized as the media and government would like us to think. The obvious sign of that is how strong and how close personal connections are and how much people are able to build a life for themselves, despite all this stuff that's been thrown at them.'
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'My big problem with corporate structure is this bizarre sense of loyalty you're supposed to feel - towards what is basically a virus. It grows or dies, like any virus. And you use it for your own selfish ends.' - source
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I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.