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But over a period of time It's the melodic things that are in my head all day.
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Bill Withers and Curtis Mayfield, those are the people who informed me in playing the bass.
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I don't think we're individually amazing musicians, but what we do collectively is pretty good.
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The trouble with a lot of music in this country is the radio stations. Modern rock - it's SUCH a stale format. As far as I can work out, and as far as we can work out as a band, the music put on these stations... It's not for the people. It's to satisfy the advertisers. It's completely reactive as opposed to proactive.
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I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.
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I've never believed that pop music is escapist trash. There's always a darkness in it, even amidst great pop music.
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We toyed with the idea of making it a double album, but I think that would only have confused everybody even more, so we decided to stick with the songs we picked.
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With Dollars And Cents on the album, we had it as a band jam and I sometimes spend evenings playing with records over the top of things we were working on to see what works.
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Every American college student goes to college with a hard drive. They take their laptop. There's not a CD player in sight.
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My page is junk, because I hate putting anything to do with me on the site, it just feels wrong.
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There's no point apologizing about where you come from.
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Generally speaking, if people are prepared to stick their heads above the power pit, like Zinn says, and absorb what's going on around them, it makes them think.
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Maybe I'm used to religious music being gentler in the classical world.
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I think It's a bit of a disappointment that a lot of people's Golden Age of music is still the '60s.
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My argument would be that I don't think there is much that's genuinely political art that is good art.
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The vocal parts are really interesting because it's the first album that we - as a band - haven't been aware of what Thom's singing about. He didn't talk about his lyrics.
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I trained as a classical guitarist but that was it.
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It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.
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I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.
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So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.
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It's an understanding. We don't talk about it. There's no bullshit that goes on. We've been fortunate enough to play for 12 years and learn as a band, learn our instruments, and we've stuck and we've worked really hard at it.
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My style is so tightly tied in with our songs that I don't think you could even ask me to quit Radiohead and play guitar for another band. I don't think I could do it. It would probably reveal me to be the bluffer that I believe I am. That's how it feels. I wouldn't have the confidence to do anything but this.
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It would be really nice to be able to put out releases that wouldn't be conditional upon an album format, and just put out music in different ways.
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Thom's a really great guitarist. He plays terrific rhythm, but he doesn't like to talk about it because he thinks he sounds like Brian May. He grew up with Queen. There were times when we've been competitive, but we've got this really nice situation where if one guitarist doesn't play in a song, we're okay with it. We can really chill out and enjoy it.