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Every American college student goes to college with a hard drive. They take their laptop. There's not a CD player in sight.
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The trouble with a lot of music in this country is the radio stations. Modern rock - it's SUCH a stale format. As far as I can work out, and as far as we can work out as a band, the music put on these stations... It's not for the people. It's to satisfy the advertisers. It's completely reactive as opposed to proactive.
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Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.
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But over a period of time It's the melodic things that are in my head all day.
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My page is junk, because I hate putting anything to do with me on the site, it just feels wrong.
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I don't think we're individually amazing musicians, but what we do collectively is pretty good.
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I've never believed that pop music is escapist trash. There's always a darkness in it, even amidst great pop music.
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With Dollars And Cents on the album, we had it as a band jam and I sometimes spend evenings playing with records over the top of things we were working on to see what works.
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Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.
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My style is so tightly tied in with our songs that I don't think you could even ask me to quit Radiohead and play guitar for another band. I don't think I could do it. It would probably reveal me to be the bluffer that I believe I am. That's how it feels. I wouldn't have the confidence to do anything but this.
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Bill Withers and Curtis Mayfield, those are the people who informed me in playing the bass.
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We toyed with the idea of making it a double album, but I think that would only have confused everybody even more, so we decided to stick with the songs we picked.
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It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.
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The only song that I've ever played on when I was not allowed to hear the backing track. 'Just make whooping oodle noises for three minutes', was the cry from the control room. 'Bastards', I thought at the time.
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Generally speaking, if people are prepared to stick their heads above the power pit, like Zinn says, and absorb what's going on around them, it makes them think.
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'Initially when it came up I tried to be pragmatic. But Blair has no environmental credentials as far as I'm concerned. I came out of that whole period just thinking, I don't want to get involved directly, it's poison. I'll just shout my mouth off from the sidelines.' - source
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I think It's a bit of a disappointment that a lot of people's Golden Age of music is still the '60s.
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The guitar is a much more efficient machine than a computer. More responsive.
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There's no point apologizing about where you come from.
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One of the books we read a few years ago that had a big effect on us was Repeated Takes by Michael Chanan.
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It's an understanding. We don't talk about it. There's no bullshit that goes on. We've been fortunate enough to play for 12 years and learn as a band, learn our instruments, and we've stuck and we've worked really hard at it.
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So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.
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I trained as a classical guitarist but that was it.
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Occasionally I play the music for my mother when she demands to hear it and she always just says, 'Who is that singing? I don't like the singing.' And then she says 'Who's doing all that bumpety-bump noise?' It's all noise backing up horrible singing as far as she's concerned. She's not a show-biz mother.