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Every American college student goes to college with a hard drive. They take their laptop. There's not a CD player in sight.
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And I know I'm paranoid and neurotic, I've made a career out of it.
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One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.
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'Initially when it came up I tried to be pragmatic. But Blair has no environmental credentials as far as I'm concerned. I came out of that whole period just thinking, I don't want to get involved directly, it's poison. I'll just shout my mouth off from the sidelines.' - source
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You think I have the responsibilty... I have the responsibility to give the fans a good time!
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There's no point apologizing about where you come from.
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My page is junk, because I hate putting anything to do with me on the site, it just feels wrong.
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I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.
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The trouble with a lot of music in this country is the radio stations. Modern rock - it's SUCH a stale format. As far as I can work out, and as far as we can work out as a band, the music put on these stations... It's not for the people. It's to satisfy the advertisers. It's completely reactive as opposed to proactive.
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I don't think we're individually amazing musicians, but what we do collectively is pretty good.
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Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.
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The only song that I've ever played on when I was not allowed to hear the backing track. 'Just make whooping oodle noises for three minutes', was the cry from the control room. 'Bastards', I thought at the time.
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I'm quite into listening to music and not doing anything else.
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This was something that was obsessing me and creating a writer's block. To get involved and get stuck in, get the proper information about what's going on has really helped.
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Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.
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My argument would be that I don't think there is much that's genuinely political art that is good art.
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It's an understanding. We don't talk about it. There's no bullshit that goes on. We've been fortunate enough to play for 12 years and learn as a band, learn our instruments, and we've stuck and we've worked really hard at it.
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It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.
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With Dollars And Cents on the album, we had it as a band jam and I sometimes spend evenings playing with records over the top of things we were working on to see what works.
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We toyed with the idea of making it a double album, but I think that would only have confused everybody even more, so we decided to stick with the songs we picked.
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No matter how one approaches the figures, one is forced to the rather startling conclusion that the use of firearms in crime was very much less when there were no controls of any sort and when anyone, convicted criminal or lunatic, could buy any type of firearm without restriction. Half a century of strict controls on pistols has ended, perversely, with a far greater use of this weapon in crime than ever before.
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My style is so tightly tied in with our songs that I don't think you could even ask me to quit Radiohead and play guitar for another band. I don't think I could do it. It would probably reveal me to be the bluffer that I believe I am. That's how it feels. I wouldn't have the confidence to do anything but this.
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Thom's a really great guitarist. He plays terrific rhythm, but he doesn't like to talk about it because he thinks he sounds like Brian May. He grew up with Queen. There were times when we've been competitive, but we've got this really nice situation where if one guitarist doesn't play in a song, we're okay with it. We can really chill out and enjoy it.
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Obviously there will be a backlash. If you believe the hype you have to believe a backlash too. Any criticism we get, is always stuff we've already criticised ourselves.