Radiohead Quotes
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I think we're entering a very dangerous time. The West has set itself up, decided it's in charge, not for good intentions, not for the benefit of mankind.
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I went to a boys' school, and I didn't realize that most guys join bands because they wanted to get girls. I was not really focused on that the way everybody else was.
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'My big problem with corporate structure is this bizarre sense of loyalty you're supposed to feel - towards what is basically a virus. It grows or dies, like any virus. And you use it for your own selfish ends.' - source
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As you get older you realize how important your emotional response is to any kind of music.
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I think a lot of tunes can suffer from being so simple, so either they get over-complicated or their simplicity means the simple way to lay them down becomes the difficulty.
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I tend to play better in the studio, no pressures, just sheer volume and alcohol.
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'People sometimes say we take things too seriously, but it’s the only way you’ll get anywhere. We’re not going to sit around and wait and just be happy if something turns up. We are ambitious. You have to be.' (in his first-ever interview, 1991) source
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We call him Shabba. You know, Shabba Ranks, Mr. Loverman. He likes the ladiez." "When Thom starts singing, you can’t hold back the tears.
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The rest of the band were basically friends, So it was me following them around and begging them to let me be in their band for two or three years. And they finally let me in on the harmonica, actually, and then the keyboards, and finally the guitar.
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I suppose all of us - we have the old Protestant work ethic of feeling guilty when you're not working, and getting a buzz from feeling like you're really busy. That's the reason to sort of carry on.
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What I really enjoy about writing for orchestras is realizing that - and it's kind of self-evident - but the fact that they are 48 individuals. It's not, you know, a preset on a keyboard. It's all these people who have opinions and who are making decisions about how to play.
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I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.
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We are kind of one step removed, not really in the center of things.
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I sometimes wish taste wasn't ever an issue, and the sounds of instruments or synths could be judged solely on their colour and timbre. Judged by what it did to your ears, rather than what its historical use reminds you of.
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At home I've got a very puerile, juvenile sense of humour.
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Someone needs to tell the truth, but it shouldn't be my job.
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We don't have to stand on a soap-box and preach because hopefully we're channelling it through the new record.
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When we rehearse, we're always trying to aim for something else. But we never quite succeed in getting there.
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A cardinal rule of bureaucracy is that it is better to extend an error than to admit a mistake.
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Jonny doesn't want to do TV interviews because he thinks that he comes across as an idiot.
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It is suggested that in domestic violence at least the presence or absence of a firearm, or of any other type of weapon, is of far less importance to the outcome than the passion generated in the attacker. The man who has lost control will cause serious injuries in many cases, quite irrespective of the weapon he uses and regardless of the certainty of detections and punishment.
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People in bands don't have the kind of conversations people might think they have. The best things about being in a band are the things that are unsaid.