Radiohead Quotes
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I went to a boys' school, and I didn't realize that most guys join bands because they wanted to get girls. I was not really focused on that the way everybody else was.
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Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.
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I tend to play better in the studio, no pressures, just sheer volume and alcohol.
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I think a lot of tunes can suffer from being so simple, so either they get over-complicated or their simplicity means the simple way to lay them down becomes the difficulty.
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'My big problem with corporate structure is this bizarre sense of loyalty you're supposed to feel - towards what is basically a virus. It grows or dies, like any virus. And you use it for your own selfish ends.' - source
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I think we're entering a very dangerous time. The West has set itself up, decided it's in charge, not for good intentions, not for the benefit of mankind.
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I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.
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We call him Shabba. You know, Shabba Ranks, Mr. Loverman. He likes the ladiez." "When Thom starts singing, you can’t hold back the tears.
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'People sometimes say we take things too seriously, but it’s the only way you’ll get anywhere. We’re not going to sit around and wait and just be happy if something turns up. We are ambitious. You have to be.' (in his first-ever interview, 1991) source
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The rest of the band were basically friends, So it was me following them around and begging them to let me be in their band for two or three years. And they finally let me in on the harmonica, actually, and then the keyboards, and finally the guitar.
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I suppose all of us - we have the old Protestant work ethic of feeling guilty when you're not working, and getting a buzz from feeling like you're really busy. That's the reason to sort of carry on.
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I sometimes wish taste wasn't ever an issue, and the sounds of instruments or synths could be judged solely on their colour and timbre. Judged by what it did to your ears, rather than what its historical use reminds you of.
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What I really enjoy about writing for orchestras is realizing that - and it's kind of self-evident - but the fact that they are 48 individuals. It's not, you know, a preset on a keyboard. It's all these people who have opinions and who are making decisions about how to play.
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We are kind of one step removed, not really in the center of things.
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Someone needs to tell the truth, but it shouldn't be my job.
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At home I've got a very puerile, juvenile sense of humour.
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We don't have to stand on a soap-box and preach because hopefully we're channelling it through the new record.
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When we rehearse, we're always trying to aim for something else. But we never quite succeed in getting there.
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A cardinal rule of bureaucracy is that it is better to extend an error than to admit a mistake.
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It is suggested that in domestic violence at least the presence or absence of a firearm, or of any other type of weapon, is of far less importance to the outcome than the passion generated in the attacker. The man who has lost control will cause serious injuries in many cases, quite irrespective of the weapon he uses and regardless of the certainty of detections and punishment.