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'I haven't done enough. I don't have solar panels on my house yet. I haven't sorted out the heating, my car's not a Prius, I f--ing fly all the time for my job and I hate it but at the moment I haven't really got a choice, you know, and all these things. The job I'm in is a job that wastes energy left, right and centre. It's madness.' source
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People will have MP3s of every Miles Davis' record but never think of hearing any of them twice in a row - there's just too much to get through.
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We're not spokespeople, we're musicians.
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I think I needed the resilience of approaching my late 30s to come to terms with the resilience I required to learn to sing.
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As I kid, I was always jealous of the music that my favorite bands had written - but not really of how they played. So I'd daydream about having written songs, and this way above being able to perform them.
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I'm pampered like you wouldn't believe.
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If we get the music across, then that's the most important thing. If you can still make it intimate.
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I think the third album will be celebratory and maybe not so inward-looking; that would be great. I think thinking is a good thing but there are times when you just say 'fuck it'. We're allowed to make mistakes.
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wish us all a safe journey if you still like us and you're not one of those people i have managed to offend by doing nothing source
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It would've made more sense had we brought another record out between this one and the last one. If you paid close attention, the b-sides, like "Lucky" and "Talk Show Host" have documented that passage.
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Well, my son really loves wildlife. And everytime he draws a polar bear I want to tell him there probably won't any by the time... he's my age. That's kinda hard to deal with.
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Limits are very important.
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Presented with a song like Exit Music, It's impossible to know what to add without actually making it worse. How can you play along when It's already there?
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My dad spent his whole life getting into fights for telling what he believed to be the truth. Basically it comes from my dad-and he's screaming right-wing, so there you are.
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When people say you're doing something radical in rock or dance music, I'm not sure how special that is. What we do is so old-fashioned. It's like trying to do something innovative in tap-dancing.
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Everything I do feels like It's going to end up being in Radiohead.
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I don't think anything's underground anymore. And I think that's a good thing. Everything is up for grabs.
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You should approach technological things in a nostalgic way.
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Thom comes in with lots of lyrics, a melody and chords, and usually he strums it on acoustic guitar. we then take it from there and beat it up and arrange it. sometimes they need a lot of arrangement. sometimes they need absolutely nothing. sometimes thom will present a song and it's so obvious how it should be done. those are actually the hardest to do - the ones where we have free scope and it can go in any direction are the easiest ones to do.
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Anything that has more of Graham's guitar playing, I'm bound to like.
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My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.
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When we first recorded Fake Plastic Trees it was terrible! It sounded like Guns 'n' Roses. It was awful! It was like loud guitars... you could envisage one of these dreadful hilltop, Grand Canyon-esque videos. It was long hair flowing.
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When someone in the band behaved like an asshole, one of the others always said: "The Karma Police is gonna get you". I suppose it's all rubbish that your destiny depends on your deeds in a previous life, but you have to trust on something.
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In Kid A and Amnesiac, the guitar becomes one more texture, difficult to separate from other textures.