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I'm pampered like you wouldn't believe.
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We're not spokespeople, we're musicians.
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As I kid, I was always jealous of the music that my favorite bands had written - but not really of how they played. So I'd daydream about having written songs, and this way above being able to perform them.
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We stuck the record head so it kept on recording over and over on top of itself and played keyboard notes into it to create this ghost repetition melody.
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I think the third album will be celebratory and maybe not so inward-looking; that would be great. I think thinking is a good thing but there are times when you just say 'fuck it'. We're allowed to make mistakes.
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People will have MP3s of every Miles Davis' record but never think of hearing any of them twice in a row - there's just too much to get through.
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wish us all a safe journey if you still like us and you're not one of those people i have managed to offend by doing nothing source
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One of the books we read a few years ago that had a big effect on us was Repeated Takes by Michael Chanan.
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My dad spent his whole life getting into fights for telling what he believed to be the truth. Basically it comes from my dad-and he's screaming right-wing, so there you are.
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I don't think anything's underground anymore. And I think that's a good thing. Everything is up for grabs.
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Presented with a song like Exit Music, It's impossible to know what to add without actually making it worse. How can you play along when It's already there?
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Limits are very important.
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Everything I do feels like It's going to end up being in Radiohead.
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If we get the music across, then that's the most important thing. If you can still make it intimate.
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It would've made more sense had we brought another record out between this one and the last one. If you paid close attention, the b-sides, like "Lucky" and "Talk Show Host" have documented that passage.
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When people say you're doing something radical in rock or dance music, I'm not sure how special that is. What we do is so old-fashioned. It's like trying to do something innovative in tap-dancing.
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Thom comes in with lots of lyrics, a melody and chords, and usually he strums it on acoustic guitar. we then take it from there and beat it up and arrange it. sometimes they need a lot of arrangement. sometimes they need absolutely nothing. sometimes thom will present a song and it's so obvious how it should be done. those are actually the hardest to do - the ones where we have free scope and it can go in any direction are the easiest ones to do.
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When we first recorded Fake Plastic Trees it was terrible! It sounded like Guns 'n' Roses. It was awful! It was like loud guitars... you could envisage one of these dreadful hilltop, Grand Canyon-esque videos. It was long hair flowing.
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Anything that has more of Graham's guitar playing, I'm bound to like.
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Everything I know about pop culture I know from 'The Simpsons,' and they say the Grammys aren't very good.
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You should approach technological things in a nostalgic way.
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I'm going to have classical piano lessons next.
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I mean, I'm in a band, we're reasonably successful, I've got a very nice suit - I'm not even a bad person- so why can't I get a shag?
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A drunken evening that spawned probably my favourite track. Thom's one-take vocal crouching in the corner was particularly memorable, he may have been unable to stand. Love colin's bass groove thing on this.