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Fans should be encouraged that I want to try different things.
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The first time I ever went to Hawaii, I was listening to island music, thinking, 'I could've been born here, and I'm pretty sure I would never play that.'
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There's no way to be a 30-year-old band, go on tour, and pretend the nostalgia isn't happening.
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There wasn't a key moment when I knew I wanted to quit.
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Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
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Companies figured out that the easiest way to make money was to reissue records that the accounting department had paid for years ago and already made a profit.
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I think the concept of commercials, for example, I have had offers to do songs in different commercials, and it is not what I have liked.
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There's a lot of music that I don't like.
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In the beginning of Audioslave, I was very honest. I said, 'We make great albums and write great albums - but don't be under the impression I'm going to be a lyricist that writes anything other than what strikes me as inspiring in the moment.' The lyrics weren't going to be focused politically.
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Definitely, when you get into something where bands are playing for 30,000 people, it's not like the post-punk, U.S. independent scene.
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I've always had a really difficult time with loss.
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Kerrang! Magazine, March 1, 1997.
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He's like one of my best friends in the world. Absolutely genuine guy, I swear on the bible.
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What formed me as a musician, a songwriter, the sound and personality of my band, a whole lot of that happened well before 1991.
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The freedom I have as a U.S. citizen is unparalleled. Despite the fact people may not like American passports, having that passport affords me more freedoms than any other passport could.
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Joining another big time rock band was the last thing I was looking for, but as the tour went on, I really dug playing to a lot of people, the band sounded great, and just being out there again, got me over my depression and so I decided to hop on board.
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It just doesn't get any more stripped down than going out totally alone and doing songs.
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Rock never meant the same thing to everyone, but when I was growing up in the late seventies, everyone could identify the five, ten bands that formed the center.
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I prefer not to use any machines. I focus a lot on cardio, which is what I do when I'm on stage. I also am into isometric workouts.
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I'm interested in where I'm going and the people I am there to see. Going to Cuba was a great example of that, and the succession of going into Cuba, which is not a very easy place to get into, and playing music for people who have never seen a live rock concert outdoors like that.
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I never look back, ever. I'm always looking ahead, working on the next thing.
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I never thought of myself as being the singer that wanted to create an identity and then stick to that.
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Nirvana's success drew attention to a marketing demographic previously ignored by the mainstream, and inadvertently started a gold rush with advertising executives, product manufacturers, merchandise distributors, fashion coordinators, and rock imitators, the latter of whom have yet to equal the sincerity, power, and wit of Nirvana.
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I think Freddie Mercury is probably the best of all time in terms of a rock voice. There was a vulnerability to it, his technical ability was amazing, and so much of his personality would come out through his voice. I'm not even a guy to buy Queen records, really, and I still think he's one of the best.