Soundgarden Quotes
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There wasn't a key moment when I knew I wanted to quit.
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Definitely, when you get into something where bands are playing for 30,000 people, it's not like the post-punk, U.S. independent scene.
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There's something about losing friends, particularly young people, where it's not something that you get over. I don't believe there's a healing process.
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I just kind of went into the blue-collar workforce at a really young age and discovered music, in terms of being a musician, around the same time. The good news is, I was probably 17 when I knew that's what I was going to do with the rest of my life, no matter what that meant.
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He's like one of my best friends in the world. Absolutely genuine guy, I swear on the bible.
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The freedom I have as a U.S. citizen is unparalleled. Despite the fact people may not like American passports, having that passport affords me more freedoms than any other passport could.
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I've always had a really difficult time with loss.
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In the beginning of Audioslave, I was very honest. I said, 'We make great albums and write great albums - but don't be under the impression I'm going to be a lyricist that writes anything other than what strikes me as inspiring in the moment.' The lyrics weren't going to be focused politically.
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Companies figured out that the easiest way to make money was to reissue records that the accounting department had paid for years ago and already made a profit.
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I think that one of the main privileges of what I do, which I am just starting to learn, is to have the ability to travel all over the world and experience different cultures.
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Joining another big time rock band was the last thing I was looking for, but as the tour went on, I really dug playing to a lot of people, the band sounded great, and just being out there again, got me over my depression and so I decided to hop on board.
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The first time I ever went to Hawaii, I was listening to island music, thinking, 'I could've been born here, and I'm pretty sure I would never play that.'
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I think the concept of commercials, for example, I have had offers to do songs in different commercials, and it is not what I have liked.
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There's a lot of music that I don't like.
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I'm not usually in a talkative mode.
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Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
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Kerrang! Magazine, March 1, 1997.
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I think Freddie Mercury is probably the best of all time in terms of a rock voice. There was a vulnerability to it, his technical ability was amazing, and so much of his personality would come out through his voice. I'm not even a guy to buy Queen records, really, and I still think he's one of the best.
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It just doesn't get any more stripped down than going out totally alone and doing songs.
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I'm interested in where I'm going and the people I am there to see. Going to Cuba was a great example of that, and the succession of going into Cuba, which is not a very easy place to get into, and playing music for people who have never seen a live rock concert outdoors like that.
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I never wrote music or arranged songs or lyrics when I was under the influence of anything but coffee. That's not gone away.
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I prefer not to use any machines. I focus a lot on cardio, which is what I do when I'm on stage. I also am into isometric workouts.
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I never thought of myself as being the singer that wanted to create an identity and then stick to that.
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Nirvana's success drew attention to a marketing demographic previously ignored by the mainstream, and inadvertently started a gold rush with advertising executives, product manufacturers, merchandise distributors, fashion coordinators, and rock imitators, the latter of whom have yet to equal the sincerity, power, and wit of Nirvana.
