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I don't really go mountain biking per se, like a proper sport.
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When you see a country take care of its people regardless of class, or how much money they make, or what color they are, that's pretty inspiring.
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Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
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'Black Hole Sun' was written in a car when I was driving home from the studio one night. Pretty much everything that you hear was written in my head.
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There was about two years where I was more or less agoraphobic and didn't deal with anybody, didn't talk to anybody, didn't have any friends at all.
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Something I've done since I was a kid – of opening windows and imagining what it would be like to jump. But I never take it seriously.
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I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.
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To me, R&B means Aretha Franklin, who is otherworldly.
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I'm still an angry dude. I'm just older. I still push the band to be heavy and dark-that's always been my role.
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I can go from one extreme to another, from playing at the Sydney Opera House on the Songbook tour to shows with Soundgarden at Voodoo Fest, all in a week.
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When you become a parent, you leave a lot of things behind and refocus, maybe on how simple life really is and what few things there really are to worry about. And everything else can go by the wayside.
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There's no way to be a 30-year-old band, go on tour, and pretend the nostalgia isn't happening.
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For years, I wasn't feeling good about myself. My head wasn't clear. I was doing nothing productive.
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I'm sure I could start a band tomorrow that would have different influences and would want to do something completely different than anything I've done.
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When you're out on the road touring and touring and then making records, you're just constantly looking forward, constantly working. You don't really stop to look at where you are or where you've been.
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Request Magazine: Many of your songs, including new ones like 'Black Hole 5un' and 'Fourth of July,' trade in dark, apocalyptic imagery. Does any of that flair for the dramatic come from your having grown Catholic?
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If you're an American kid, you can't help but be influenced by Led Zeppelin, Black Sabbath and the Rolling Stones because they're always on the radio.
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If you wanna make money in music, you're better off being on the business end of it a lot of the time. And also as a musician, if you do make money, it means you had to bite and scratch and kick the whole way to not get ripped off, because at every corner, there's somebody there waiting to trip you up and take a bigger chunk.
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There's something about losing friends, particularly young people, where it's not something that you get over. I don't believe there's a healing process.
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Fans should be encouraged that I want to try different things.
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To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
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I try to solve my problems by writing music and recording albums, but you know what's really funny about that? Once the album becomes a success, it doesn't solve your problems. It just gets harder to write the next album.
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What formed me as a musician, a songwriter, the sound and personality of my band, a whole lot of that happened well before 1991.
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There wasn't a key moment when I knew I wanted to quit.