Soundgarden Quotes
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I've always had a really difficult time with loss.
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I'm not usually in a talkative mode.
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I had to teach myself to let go of the conventional rock way of playing guitar and singing. Some things you wouldn't expect to work, did and some things won't ever work.
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Criticism pretty much follows anything anyone ever does. So, anytime anyone ever writes a song, plays a show, or does whatever they do, there's going to be a certain amount of criticism because that's kind of what happens.
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I've always felt like there's a certain amount of doing what I do, and performing and making records and doing interviews and photo shoots and that, that are kind of a necessary evil of getting my music to people's ears to hear. Over the years, I've just become more tolerant of that.
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I think there needs to be a global focus on people taking care of people.
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I never wrote music or arranged songs or lyrics when I was under the influence of anything but coffee. That's not gone away.
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One of the main dilemmas that's pretty common to a lot of people who are getting older is the idea that maybe there's a finish line and that maybe there's a time in your life when you start to slow down and stop and smell the roses and just kind of settle into what will be a comfortable period in your life.
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Kerrang!: Clare Sharp from Glasgow would like to know what you thought of your mum's appearance in Kerrang! last August 1996 - predicting the future for ten rock stars?
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A lot of people get into alternative music as part of their identity. It's something that isn't the mainstream, that their brothers and sisters don't know about, and that their parents don't like. It's something they can have as their own.
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Soundgarden was incredibly democratic, and I was really proud of that. I felt like we got along better than most bands we toured with and most people we knew. And at the same time, when you're that democratic and concerned with each other's opinions, you're always concerned with what the other people think.
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There's something about that blind trust between Timbaland and me - two people that have almost nothing in common except for a love of music - that is really rejuvenating.
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I've always liked depressing music because a lot of times, listening to it when you're down can actually make you feel less depressed. Also, even though a person may have problems with depression, sometimes you can actually be kind of comfortable in that space because you know how to operate within it.
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Radio and TV can still push a band, but things need to be shaken up. There is the Internet, but mostly what I see there is little kids on YouTube playing music.
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A band that makes records and tours is also a business. That's usually where a lot of disagreements come. It's four guys who are musicians and don't really know much about business, but are very passionate and have very specific ideas.
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I never felt bad about being lumped in with other Seattle bands. I thought it was great.
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The idea of telling the story of the Armenian genocide - or, really, any other genocide - and repeating those stories is really important. I also think it's important to always be exposing the warning signs for what was leading up to it. Those tend to always be the same.
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I was going to be a musician, no matter what it took. I supported myself with blue-collared jobs so I could write music and be in a band and play shows. I even got into an underground art scene. I was going to do whatever.
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And if you don't believe the sun will rise, stand alone and greet the coming night in the last remaining light.
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When you're young, playing drums is immediately satisfying 'cause whether or not you know how to play anything, the bottom line is that you're pounding on something, so you're happy about it.
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'Superunknown,' maybe more than most albums, didn't reveal itself to be what it was until the very end - literally until we were three quarters of the way through mixing it.
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I actually think to some degree that people are down for longer shows with an acoustic show.
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A true musician, like Johnny Cash, should be able to walk into a room with nothing but an instrument and capture people's attention for two hours.
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They were my friends. Those guys were like The Monkees. They lived in this house all together... no joke, the whole band all together in the same house, and they were really fun. They were really young guys and they lived the real Rock life. Of course it all went horribly wrong later, but they were great.