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I had kind of a mean piano teacher. I went to Catholic school, so it was like the typical thing you would imagine - a little kid with a white-haired teacher frowning at the fact that I didn't practice.
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If I'm going to go out to be a solo artist, it's because I want to do something different without having to wait on someone else's schedule or hobbies or be limited by other people's prejudices. I'd be kind of stupid not to exercise that.
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For me, I just try to make sure I eat enough and drink enough water and that's about it.
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When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
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I've had a long career and I want to continue to have a long career. The way to do that is not to go away.
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Stone Temple Pilots, Bush, and Silverchair are taking the simplest elements of Soundgarden, Nirvana, and Pearl Jam and melding them into one homogenous thing.
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When you start your first band and it has an impact on the rest of the world you go through a lot with those guys and you become very protective of that legacy.
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Bands work in a way where everyone, at some point, has to have a similar idea of how you do things.
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I love the way Pharell is laying down great drum tracks. He is a great drummer.
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The more info I read, the more the Rock & Roll hall of fame seems anti-rock. Rock was not meant to be judged by panels of old people.
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What's important is to get into shape and then not to have to worry about it. I don't want to get on stage and not being able to do something. Not being physically fit doesn't work for me.
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There was a period in my life where most of my musical career was spent in a band that was very aggressive, and there was sort of a wall of volume all the time.
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Friends of mine that are from here or that have spent time here have told me about Israel and how warm the people are and that I should someday come here.
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It's definitely a different world. Smoking is bad for your voice, for sure, but you learn to function in that world of bad. Now I'm in better shape, and I'm much more physical onstage, but I have to watch getting winded. Once I'm winded, I don't sing right. I would have smoked three cigarettes already during this interview laughs.
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You can really walk around a song and completely, if it's a good song, look at it from a lot of different angles. Johnny Cash with Rick Rubin illustrated that perfectly.
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There's this existential argument that comes in, at some point, when you're over-thinking the songwriting process. There's no guarantee that the more time you spend or the more you concentrate on certain aspects that that's going to produce a better result, especially in the arts.
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Being solo really lends itself to different interpretations - and everything is in the moment and on a whim. I never realised how far out you can go when you are by yourself.
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There was this moment when we made 'Superunknown': the Seattle music scene had suddenly ended up on an international stage with huge success.
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Music is supposed to be inspired.
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Request Magazine: And now we're back to suicide. Some months have passed now since Kurt Cobain killed himself. Judging from his suicide note, it seems as if he thought there was something that was being demanded of him by the music industry or fans or someone, that he either couldn't or didn't want to deliver.
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Not really. I don't even have enough time to pursue everything I want to do musically. Also, there's a lot of people out there who spend a lot of time trying to act, so I think most of the good acting jobs should be reserved for those people.
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We're happy with what we've achieved. Every record we've made has furthered the growth of our line of success. It's never disappeared or gone backward: each record sells more, each tour is bigger.
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When you have four guys in a room writing songs, it different. It's great - that's what makes a band a band. Audioslave was great.
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Interview with Team Rock Magazine, Summer 1996.