Soundgarden Quotes
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An acoustic show is all about you, and any little nuance or mistake is amplified.
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I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I'd been in, and I'd gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, 'Hey, I could be in a band and be the singer, and it would be a lot easier!'
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I'm a huge fan of film and always have been.
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Everything's different. You have to recognise the fact that I'm different. Time goes on, and you change. I'm coming into this as a different guy, that's probably the biggest thing.
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Maybe Kurt Cobain meant it to mention suicide in his lyrics; maybe he didn't. We're never going to know. When Andy Wood died, there were tons of lyrics that he wrote that sort of alluded to, well, it's possible that it's going to happen. It's not likely I'm going to kill myself, but those lyrics are still there.
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Once you sit in front of people and start playing songs, it's all on you. No matter what happens, it's entirely your responsibility the entire time. I like that intensity.
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I'm not a lyric writer to make statements. What I enjoy doing is making paintings with lyrics, creating colorful images. I think that's more what entertainment and music should be.
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When I started writing songs for Temple of the Dog, I went to my room with my acoustic guitar, and I was happy staying in that mode. It was more chordal based and more lyric driven. I enjoyed not making riff-based songs built around a guitar idea.
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What do you think Jesus would twitter, 'Let he who is without sin cast the first stone' or 'Has anyone seen Judas? He was here a minute ago.'
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Stone Temple Pilots, Bush, and Silverchair are taking the simplest elements of Soundgarden, Nirvana, and Pearl Jam and melding them into one homogenous thing.
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You can't always make out the words I sing with Soundgarden.
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Oftentimes, especially in the context of an acoustic song, I'm motivated to write by some amount of melancholy.
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I play guitar because I like to make loud noises. And the guitar is the coolest way to make a loud noise.
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There're the causes where people are like, "What can you do for us? You guys have success and stature; you can make money for us and at the same time present yourselves to the public as altruistic and civic-minded." So it's an exchange. I don't mind looking altruistic and civic-minded if we're actually being that way.
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I remember as a kid that I was always physically fit.
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It's good for me to be involved in different things.
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'Spoonman' wasn't written for any album. It was just written for fun.
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Guitar.com: he tone of Euphoria Morning is kind of melancholy.
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Due to irresolvable personality conflicts as well as musical differences, I am permanently leaving the band Audioslave. I wish the other three members nothing but the best in all of their future endeavours.
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I felt very proud to be part of a music scene that was changing the face of commercial music and rock music internationally, but I also felt like it was necessary for Soundgarden - as it was for all of these Seattle bands - to prove that we deserve to be on an international stage, and we weren't just part of a fad that was based on geography.
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I got a GED based on Catholic school seventh-grade education, really. I didn't make it that far.
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That's the miracle of music. No one can reinterpret a Picasso, but a song can be remixed and covered and interpreted in an infinite number of ways. It's a living thing.
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I don't get in there and create a character. It's more of a voice that I hear living inside the music.
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Seattle very much benefited from this geography where it was a town nobody had really heard of in terms of a music scene. So we had that factor of being a new discovery.