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There're the causes where people are like, "What can you do for us? You guys have success and stature; you can make money for us and at the same time present yourselves to the public as altruistic and civic-minded." So it's an exchange. I don't mind looking altruistic and civic-minded if we're actually being that way.
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That's the miracle of music. No one can reinterpret a Picasso, but a song can be remixed and covered and interpreted in an infinite number of ways. It's a living thing.
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I've seen a lot of Pearl Jam shows, and the only reaction I've ever seen is the audience being completely supportive and loving every moment.
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Chris Cornell: A Changed Man. Guitar.com (29 September 1999).
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Whenever anyone sends me a link to a band, saying, 'These guys sound exactly like Soundgarden,' it's always some super simple sludge riff with a singer that sings high and screechy. And it's really awful.
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There are a handful of Soundgarden songs that work acoustically, but only a couple. It's not who we were.
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Most frontmen are not born hams like David Lee Roth. We're more like Joey Ramone: awkward geeks who somehow find our place in the world on the stage.
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The reason there's no modern-day Shakespeare is because he didn't have anything to do except sit in a room with a candle and think.
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The words you say never live up to the words in your head.
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I think that sometimes almost the bigger tragedy in a weird way is all of the future imagined creative projects that could have happened that didn't. I feel the same way about lots of brilliant people who die young, kind of senselessly especially.