Soundgarden Quotes
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Friends of mine that are from here or that have spent time here have told me about Israel and how warm the people are and that I should someday come here.
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I think my children are definitely musically inclined, and they show it, and they're exposed to a lot of it. And they're their own people, and I think easily they could do something musical, or they could do something in acting or film or other types of the arts, and I would fully support it.
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I got in touch with the creative process between the age of 14 and 16, mainly because I was alone so much.
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I play Texas Hold'em on my Blackberry. I have amassed a fortune on that. I have almost 30 million dollars from playing. It is unreal.
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They're a great audience, kids. They actually respond. They don't have the references that adults have, so everything is immediate. It's always interesting to see what they react to in whatever I'm working on at the moment. And they don't even want to discuss why. That's a lesson to remember: My son doesn't care about why.
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It's about trying to step out of being patterned and closed off and reclusive, which I've always had a problem with. It's about attempting to be normal and just go out and be around other people and hang out. I have a tendency to sometimes be pretty closed off and not see people for long periods of time and not call anyone.
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When Soundgarden formed, we were post-punk - pretty quirky.
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Not really. I don't even have enough time to pursue everything I want to do musically. Also, there's a lot of people out there who spend a lot of time trying to act, so I think most of the good acting jobs should be reserved for those people.
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Being a rock star is really a 24-hour-a-day job, and you really can't escape it.
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We're happy with what we've achieved. Every record we've made has furthered the growth of our line of success. It's never disappeared or gone backward: each record sells more, each tour is bigger.
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When all of a sudden you're successful and sought after overnight, you are instantly opened to a lot of sides of humanity that the average person is never going to see. And those can often be pretty disheartening, and it can make somebody pretty lonely.
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'Superunknown' was one of the most dramatic shifts in what we were doing musically. I don't think I realized it at the time.
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A certain scenario kept repeating itself. The people from the magazines would take two or three shots of the band. They’d start to pack up. And then they’d sort of take me off into a corner by myself. After about the thirtieth time that a photographer asked me to take my shirt off, I started to get the picture.
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You can really walk around a song and completely, if it's a good song, look at it from a lot of different angles. Johnny Cash with Rick Rubin illustrated that perfectly.
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It's great when you play to an audience that knows the words to all your songs, and sings them back to you.
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When I met my wife Vicky's family, I had to go out of my way to convince them, to show them, that I wasn't anything like their idea of a musician.
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Everything's different. You have to recognise the fact that I'm different. Time goes on, and you change. I'm coming into this as a different guy, that's probably the biggest thing.
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At the end of the day it's the fans who make you who you are.
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One of the Robinson brothers from the Black Crowes turned me on to Nick Drake.
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The fans own the records and listen to them and love them. It becomes the soundtrack to some part of their lives, and we don't control that. To me, that's what's exciting about what we do.
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I would look at older blues musicians who just keep going into their seventies. They keep doing it until they drop dead. And I've always felt like that's what I want to do. I've felt that since the day I was able to start playing music for a living. I don't see the point of thinking about retiring because it's not work to begin with.
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Maybe Kurt Cobain meant it to mention suicide in his lyrics; maybe he didn't. We're never going to know. When Andy Wood died, there were tons of lyrics that he wrote that sort of alluded to, well, it's possible that it's going to happen. It's not likely I'm going to kill myself, but those lyrics are still there.
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Stone Temple Pilots, Bush, and Silverchair are taking the simplest elements of Soundgarden, Nirvana, and Pearl Jam and melding them into one homogenous thing.
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Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.