Sonic Youth Quotes
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I certainly don't sit around in the morning making pancakes listening to Whitehouse or anything.
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And for me, I think of the group as one in which there's always this pendulum swinging back and forth between writing shorter, more concise pieces until we get kind of sick of it and then writing pieces that get more sprawling and experimental and explore in different directions.
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Sonic Youth played one show before we even had a drummer. It was just me, Kim, and Thurston. The lights slowly went down, and the set was just 30 minutes of feedback.
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During the whole time in Sonic Youth, I was happy to put my energy into that. It would have been very difficult to do a solo project.
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I have to reign myself in a lot.
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Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.
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I do retweet some of the things that people say about the things I've done, but I don't necessarily want to use it to promote myself because I find that it gets kind of boring. There should just be a whole different site for that. Because it's just kind of boring and gross to use it just self-promotion.
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Rap music is really good when you're traumatized.
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Every now and again, the alternative culture is cherished by the mainstream for what it is, rather than how it should be, like the mainstream popular music.
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A lot of the lyrical ideas do have a lot of meaning in a way, although it is somewhat abstracted.
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Everyone's so interior now, they're not really looking around them. They're on their phones.
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I gravitated to New York City in the late '70s to pursue a career in visual art, which is what I trained in at university.
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What Nirvana's success means is that certain radio stations now have their ear more cocked to bands like us; they're more open to playing more stuff.
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Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.
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I absolutely love Las Vegas. I've been there a bunch of times on my own.
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Sometimes, you don't know where your inspiration's going to come from.
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I'm married to a Canadian so I have a lot of fond thoughts about Canada. I think about the prairies of Manitoba, where my wife is from, and I have a lot of friends and relatives on both coasts and have spent a lot time in Canada from Nova Scotia to B.C. In some ways, it's a much more sane country than the U.S.
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In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to get this low-level feedback, and if I leaned forward, and the guitar hung off my body, it would resonate differently.
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I've never been a huge Zeppelin fan, much to the chagrin of everybody else in my former band. But certainly those Pink Floyd records, I was really into them, especially 'Dark Side of the Moon.'
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As a rock fan, you read of the big labels and the multinationals and the big tours with road crews and semi-trailers full of gear, and playing stadiums. In the '90s, that's what we did.
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One of the key guitars in my career has been an early-Seventies Fender Telecaster Deluxe that I had before Sonic Youth started and that I played pretty much throughout Sonic Youth.
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I love Northampton. As exciting and glamorous as New York can be, I'm always really relieved to get back there.
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In the week following Sandy, we weren't flooded, but we were without everything else - I ended up living by candlelight - no phones, no computers, no light, no power. If we took a walk at night to go and find something to eat, it was completely black, with no lights coming out of the windows, no street lights: a very apocalyptic feeling.
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There's only so many small shows you can do. A lot of the smaller things are more side project things. Not everything is appropriate for Sonic Youth to do.