Sonic Youth Quotes
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Being someone who plays gigs and finding many, many memorable ones in different ways, I guess I'd have to say I don't really have a single favourite one that I could pick out.
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Most people can't tell now who wrote what. I like that blurring of identities within the band, because it becomes a unified thing that can't be related to other forms of historical poetry.
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I didn't intend to make one solo record, much less two. It's really a matter of seeing how it goes.
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I guess, from the beginning, Thurston and Kim were the dominant singers in the band, and although I was singing in bands previously, I guess I mainly deferred to them a lot in terms of who was singing the bulk of the songs.
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What Nirvana's success means is that certain radio stations now have their ear more cocked to bands like us; they're more open to playing more stuff.
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New York always has a lot of creativity going on.
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I've been sort of writing sketches for songs on my own forever and putting them down on cassette tapes. Yet for years and years and years, my main songwriting outlet was as a member of Sonic Youth, and for most of our time together, our best songs were written in a group setting, where the four of us were getting together in a room.
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Sometimes, for me, lyrics are derived from poems that I'm working on, and they kind of cross back and forth between the two.
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I've never been a huge Zeppelin fan, much to the chagrin of everybody else in my former band. But certainly those Pink Floyd records, I was really into them, especially 'Dark Side of the Moon.'
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When I first moved to New York, I was friends with a lot of dancers - people from Merce Cunningham's company and things like that.
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I don't mourn the old, romantic, dirty Times Square, although it was more unique.
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The Grateful Dead always had their iconography down pat.
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We always operated within a sense of community not just about the band. It's important to the way we define ourselves. It's the entire world in which we operate.
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I'm a relatively shy person, but I love being challenged and putting myself in positions that are scary.
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Every band runs its course.
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It's American Alternative radio stations that bug me. We're considered Alternative, but don't expect us to be played next to Blink 182 and Offspring. We're hardly of that generation.
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In the week following Sandy, we weren't flooded, but we were without everything else - I ended up living by candlelight - no phones, no computers, no light, no power. If we took a walk at night to go and find something to eat, it was completely black, with no lights coming out of the windows, no street lights: a very apocalyptic feeling.
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We'll go in one direction with one album, and then we like to do the opposite right away. But it's not like we ever have an idea before we start - that would be too artificial. It all starts from just sitting in a room and playing.
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We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood what we were trying to do. I don't have any regrets, because at the time we signed with Geffen, it was the right thing to do.
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We used to have endless discussions with journalists about that: 'Why are you calling it noise? It's not noise, it's music,' and make references to everybody from John Cage to whoever.
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I came late to Sandy Denny and Fairport Convention. I don't know why, but that's the beauty of music - songs and voices are there when you need them, when you're ready to find them, whether in their time or after.
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I always think that, for me, being someone who comes out of electric guitar experimentation, the idea of playing acoustic guitar is, in itself, kind of a radical move.
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One thing I always loved about vinyl was the length of a side, around 20 or 22 minutes. That's the perfect length of an attention span for listening time, you know? You could listen and give it all your attention. Put on something that's 70 minutes, and nobody's sticking around past the first 20 or 30 minutes.
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I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.