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I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
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One thing I always loved about vinyl was the length of a side, around 20 or 22 minutes. That's the perfect length of an attention span for listening time, you know? You could listen and give it all your attention. Put on something that's 70 minutes, and nobody's sticking around past the first 20 or 30 minutes.
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We never notate our music, so you can try to replicate it, but you don't really have it.
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Obviously, for Geffen, if it wasn't for us, it's quite possible that bands like Nirvana or Beck would not be on the label.
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I recognise that the whole issue of downloading and intellectual property rights is not an easy one, but on the whole, I'm a fan of downloading, both legal and illegal, and the open-source ethos that it harbours for the future is a good one.
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'Europe '72' came out right around the time that I started going to see the Dead, and it had a huge impression on me.
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We're a rock band. We're proud of it. We're not an art band, a noise band, or an extreme band.
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When I first learned guitar - when I was 14 or 15 - I had an older cousin who showed me some stuff. And he was into all these tunings. He was showing me tunings that people like David Crosby or Neil Young used - like dropped D and open D tunings.
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I'm a mom, but I don't always want to look just like that.
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Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
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I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
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I've been lucky enough to be in this amazing band, and to me, a band is really a collaborative unit, and that's definitely been what Sonic Youth has been.
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The Grateful Dead always had their iconography down pat.
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People assumed we called the record 'Murray Street' because of its proximity to the World Trade Centre, but that wasn't it at all. Before the attacks, I had simply been walking around taking pictures of things, and I had this photograph of the street sign. We felt it was somewhat evocative and decided to use it on the back cover of the album.
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I don't really care about, Oh I really have to sell these things.
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As far as we're concerned, we're always Sonic Youth, and we're always making a Sonic Youth record. We just see it so much more as a continuum than a periodic thing. We're just in the studio making the next record, and we don't relate it to anything other than what's going on at the moment.
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I think Thurston's and my weird tunings lent Sonic Youth a very different sound from the get-go. In the band's 30 years - aside from covers - there are maybe two or three songs we wrote using traditional tuning.
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One thing I always hated with CDs is when people started putting 65 to 75 minutes on their albums.
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By the time Sonic Youth formed in 1981, my musical tastes had left the Dead behind, but I was always very proud of the fact that we had three different singers singing individually from different points of view, like the Dead.
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I never go back and listen to the recorded document. The thrill comes when the balance can be attained. Everyone in the room can have a shared, communal rock experience.
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My wife's from Canada, and we're Canadian citizens.
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I ride a bicycle. I make artwork and do other kinds of stuff - but in terms of unwind, I like to play tennis and ride.
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Sonic Youth was not a singer-songwriter band. It was an electric collective. And, whatever else people's perceptions of Sonic Youth were, it was always about putting together a time-based composition - and that is exactly what songwriting is, in its classic form.
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I wanted to hear the songs in the way that I had written them, which was very basic. All I wanted was drums and another guitar, and I was just going to sing.