Sonic Youth Quotes
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I don't really care about, Oh I really have to sell these things.
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'Europe '72' came out right around the time that I started going to see the Dead, and it had a huge impression on me.
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It's not like we set out to antagonize the audience in any way. We're just presenting our music; it's really much more innocent.
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I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
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I recognise that the whole issue of downloading and intellectual property rights is not an easy one, but on the whole, I'm a fan of downloading, both legal and illegal, and the open-source ethos that it harbours for the future is a good one.
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One thing I always hated with CDs is when people started putting 65 to 75 minutes on their albums.
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Sonic Youth was not a singer-songwriter band. It was an electric collective. And, whatever else people's perceptions of Sonic Youth were, it was always about putting together a time-based composition - and that is exactly what songwriting is, in its classic form.
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I never go back and listen to the recorded document. The thrill comes when the balance can be attained. Everyone in the room can have a shared, communal rock experience.
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I've been sort of writing sketches for songs on my own forever and putting them down on cassette tapes. Yet for years and years and years, my main songwriting outlet was as a member of Sonic Youth, and for most of our time together, our best songs were written in a group setting, where the four of us were getting together in a room.
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I ride a bicycle. I make artwork and do other kinds of stuff - but in terms of unwind, I like to play tennis and ride.
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I'm a mom, but I don't always want to look just like that.
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One thing I always loved about vinyl was the length of a side, around 20 or 22 minutes. That's the perfect length of an attention span for listening time, you know? You could listen and give it all your attention. Put on something that's 70 minutes, and nobody's sticking around past the first 20 or 30 minutes.
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Sometimes it takes us a long time to build up songs, and we really work the structures over and over and build in lots of noisy parts.
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When I first learned guitar - when I was 14 or 15 - I had an older cousin who showed me some stuff. And he was into all these tunings. He was showing me tunings that people like David Crosby or Neil Young used - like dropped D and open D tunings.
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People assumed we called the record 'Murray Street' because of its proximity to the World Trade Centre, but that wasn't it at all. Before the attacks, I had simply been walking around taking pictures of things, and I had this photograph of the street sign. We felt it was somewhat evocative and decided to use it on the back cover of the album.
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As far as we're concerned, we're always Sonic Youth, and we're always making a Sonic Youth record. We just see it so much more as a continuum than a periodic thing. We're just in the studio making the next record, and we don't relate it to anything other than what's going on at the moment.
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I have great memories of the old Times Square - wouldn't have missed being here to see that place for the world - but I can also deal with the new Times Square in the overall scheme of N.Y. City 2010.
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We used to have endless discussions with journalists about that: 'Why are you calling it noise? It's not noise, it's music,' and make references to everybody from John Cage to whoever.
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Like everybody else, I love a good pop song. You know, there's nothing like it. I also just really like music that goes off on extended forays of extrapolation into different areas. So it's kind of nice to be able to move between those two poles.
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We're not playing your typical guitar tuning, so there is no normal chords for us to get our footing with. We're pretty much making it up as we go as far as the sounds we're creating. Oftentimes, the song will be inspired by just a certain kind of block of sound that somebody creates.
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We're a rock band. We're proud of it. We're not an art band, a noise band, or an extreme band.
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By the time Sonic Youth formed in 1981, my musical tastes had left the Dead behind, but I was always very proud of the fact that we had three different singers singing individually from different points of view, like the Dead.
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The raw and natural sounds of Aero music don't subtract from it's beauty, instead it creates a rich soundscape for the musician to create within.
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The Grateful Dead always had their iconography down pat.
