Lee Ranaldo Quotes
In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to get this low-level feedback, and if I leaned forward, and the guitar hung off my body, it would resonate differently.
Quotes to Explore
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If you want to evolve and reinvent yourself, you will need to observe people and explore a lot.
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I don't know anyone who would be exclusively working on game music, per se.
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That enforced time when you have to switch off, that you're on a plane, is so unusual these days. It's just that thing of not being able to interact with other people through e-mails or social media or whatever. It's crazy how you even notice that you're not able to do that. I find that the kind of traveling - long days, particularly if you go somewhere to do a show, and then traveling again the next day - a lot of people would find pretty challenging, but I find it energizing in a weird way.
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Nickelback walks into a bar...there's no punchline because ruining music isn't funny.
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It's hard listening to myself.
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I say this often, THINK. There is something in life called common sense. Webster's says common sense is sound and prudent judgment based on a simple perception of the situation or facts. Perhaps this is why in 1776, Thomas Paine used these words as a title for the most famous pamphlet ever written.
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Every band runs its course.
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This generation must get deadly serious about the problem of Biblical illiteracy.
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What's the DNA of a marketer? We call it the 4-I's: instigator, implementer, innovator, and integrator.
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I never wanted to do reunion shows for the sake of a reunion show. I've done all the 'Brady Bunch' stuff except for the Variety Show, but when a talk show wants us all to get together for their sake, it's not interesting to me.
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Sir Clive Woodward summed it up best when he said everyone hates England. And it’s true. Because of the history that is involved, the surrounding countries with the social and historical context, that long-seated rivalry – you can feel that hatred of England.
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The electric guitar meant that you could have a band with a drummer and a couple of guitars. And that put a lot of horn players out of work.
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Yeah, on the records, the guitars are made melodic, and I try to make it memorable. There's not much just wanking, to be honest - it's mostly melodic parts. I try not to play too many notes. It's just more instrumental music. It's a totally valid criticism if you don't like that kind of thing. It also is maybe a little anachronistic or unnecessary in a certain way.
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As far as my part in it is concerned, it began one night in the fall of 1956 in Lexington, Kentucky, when I walked into the Zebra Bar--a musty, murky coal-hole of a place across Short Street from the Drake Hotel (IF YOU DUCK THE DRAKE YOUR A GOOSE!! read the peeling roadside billboard out on the edge of town)--walked in under a marquee that did, sure enough, declare the presence inside of one 'Little Enis,' and came upon this amazing little stud stomping around atop the bar, flailing away at one of those enormous old electric guitars that looked like an Oldsmobile in drag--left-handed!
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Every band runs its course.
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In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to get this low-level feedback, and if I leaned forward, and the guitar hung off my body, it would resonate differently.
