U2 Quotes
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We need to be creative, on the cutting edge, challenged, and it's really hard going. It's relentless, and we're relentless, and we have a history of breaking engineers, producers. I mean, people come out of working with U2 and just go, 'I just don't know what's happened; it feels like a lifetime has passed by.' And that's just the way we work.
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I'm never nervous when I go to meet heads of state. I feel they should be nervous, because they are the ones who'll be held accountable for the lives their decisions will impact the most.
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In the music world, ageism is a big issue. It's about youth and youth culture. There's no other art form that I know that requires you to be a certain age.
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Africa will thrive.
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It's a tough life being a pop star. You know, at the end of the day when you've paid all the bills and put the kids through college and that, you know, there's only enough left for a small island off the South Pacific.
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Relevance, for me, is about being creative and doing things that you believe in, whether that's music or acting or painting a picture, or whatever that is.
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I love America and I hate it. I'm torn between the two. I have two conflicting visions of America. One is a kind of dream landscape and the other is a kind of black comedy.
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I truly believe that when the history books are written, our age will be remembered for three things: the war on terror, the digital revolution, and what we did - or did not do - to put the fire out in Africa. History, like God, is watching what we do.
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I've never necessarily chosen to be a bachelor. I've had girlfriends throughout the last 20 or 30 years. It's just that there were times when I met people that fascinated me and times I didn't.
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God's Spirit moves through us and the world at a pace that can never be constricted by any one religious paradigm. I love that.
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The world is more malleable than you think and it's waiting for you to hammer it into shape.
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I've often thought that it would be great to do some acting because nobody would think that I would be able to do it and it scares the living hell out of me.
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I joined a band to hit things.
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I was actually pretty shy in school. My defense mechanism was to be the class clown. I remember getting into a lot of trouble for being disruptive, and I was brought in front of the headteacher, who said: 'What's going to happen to you; what are you going to do when you grow up?' and I said: 'Well, I'm obviously going to be a comedian.'
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It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
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20 years on I'm not that interested in charity. I'm interested in justice. There's a difference. Africa needs justice as much as it needs charity. Equality for Africa is a big idea. It's a big expensive idea.
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I put Catholic guilt to work pretty good for a rich rock star.
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I think rock 'n' roll would become exponentially, considerably more difficult to perform past about 65.
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The drums tell me everything. Everything else registers a millisecond later.
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At a certain point, I just felt, you know, God is not looking for alms, God is looking for action.
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I definitely got to a point where I realize how unusual it is to be able to play large, sold-out shows 30 years into a rock and roll career. I don't take it for granted.
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Tony Blair is a war criminal, and I think he should be tried as a war criminal. Then I see Bono and him as pals, and I'm going, 'I don't like that.' Do I think George Bush is a war criminal? Probably - but the difference between him and Tony Blair is that Blair is intelligent. So, he has no excuse.
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Companies like Spotify, the new Apple service, and all the others are really going to have to pay artists more. And I think it's a matter of time; I think a lot of these companies and the individuals that are involved in them realize that as well. They know that artists are not getting what they should be getting.
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I really remember John Lennon's Imagine. I guess I'm twelve; that's one of my first albums. That really set fire to me. It was like he was whispering in your ear - his ideas of what's possible. Different ways of seeing the world.