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When those people get up at the Grammys and say, "I thank God", I always imagine God going, "Oh, don't, please don't thank me for that one. Please, oh, that's an awful one! Don't thank me for that - that's a piece of crap !"
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Segregation. There was another one. America sees this now but it took a civil rights movement to betray their age. And 50 years ago the U.S. Supreme Court betrayed the age May 17, 1954, Brown vs. Board of Education came down and put the lie to the idea that separate can ever really be equal. Amen to that.
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Yesterday, here in Philadelphia, at the Liberty Bell, I met a lot of Americans who do have the will. From arch-religious conservatives to young secular radicals, I just felt an incredible overpowering sense that this was possible. We're calling it the ONE campaign, to put an end to AIDS and extreme poverty in Africa. They believe we can do it, so do I.
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A trumpet sounds pretty much like a trumpet, and that's true of a lot instruments; pianos sound like pianos, but there's something about the guitar - the range of possibilities is much broader.
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All That You Can't Leave Behind and How To Dismantle An Atomic Bomb are both really mad long titles. As I've just said them, I've just realised how ridiculous the titles are.
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'We used to say, 'They have everything, but it.' We had nothing, but it'.
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Sing the melody line you hear in your own head. Remember, you don't owe anybody any explanations, you don't owe your parents any explanations, you don't owe your professors any explanations.
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We won't let each other fail.
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Unfortunately, as far as the music is concerned, what defines relevance is whether you are on the radio or whether you are on the cover of a magazine or whether you're winning MTV awards, and so on and so forth.
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The less you know, the more you believe.
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One of the good things about globalization is it has created a single international music community, and I feel very much part of it.
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The big cop-out would be to accept popularity rather than opting to try to create potent work. It's so easy to do the popular thing, the expected thing, and that's where you start to cheat yourself - and your fans, in the end - because there's an inherent dishonesty in pandering and dishing up what everyone's expecting.
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The problem for most people as they get older is that they start to buy into their own bullshit to the extent that they just have to eliminate from their inner sanctum anyone who is going to really challenge it. But I think all bandmates of U2 were lucky enough to have the four of us respect and regard each other to the extent that we're kind of always looking out for one another, so none of us can get away with buying into the bullshit.
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I think it's hard to come to a U2 show and just eat hot dogs and drink a soda, and not be moved by it.
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Advertising and art are getting all mixed up. I think some of the most exciting pieces of TV are the commercials.
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When John Lennon sings, 'Oh, my love/For the first time in my life/My eyes are wide open' - these songs have an intimacy for me that's not just between people, I realize now, not just sexual intimacy. A spiritual intimacy.
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First love is alright, as far as it goes. Last love – that’s the one I’m interested in.
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When you align yourself with God's purpose as described in the Scriptures, something special happens to your life.
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You see, rock and roll isn't a career or hobby - it's a life force. It's something very essential.
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What turns me on about the digital age, what excited me personally, is that you have closed the gap between dreaming and doing. You see, it used to be that if you wanted to make a record of a song, you needed a studio and a producer. Now, you need a laptop.
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Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
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U2 albums never get finished. They just get released.
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Can you imagine your second album - the difficult second album - it's about God? Everyone is tearing their hair out and Chris Blackwell says, 'It's okay. There's Bob Marley and Marvin Gaye, Bob Dylan, it's a tradition. We can get through it.
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God is in the slums, in the cardboard boxes where the poor play house. God is in the silence of a mother who has infected her child with a virus that will end both their lives. God is in the cries heard under the rubble of war. God is in the debris of wasted opportunity and lives, and God is with us if we are with them.