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We had a street gang that was very vivid - very surreal. We were fans of Monty Python. We'd put on performances in the city center of Dublin. I'd get on the bus with a stepladder and an electric drill. Mad shit. Humor became our weapon. Just stand there, quiet - with the drill in my hand. Stupid teenage shit.
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Then Bono arrived, and he meant to play the guitar, but he couldn't play very well, so he started to sing. He couldn't do that either. But he was such a charismatic character that he was in the band anyway, as soon as he arrived. I was in charge for the first five minutes, but as soon as Bono got there, I was out of a job.
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My name is Bono and I am a rock star.
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The biggest misconception about me was that I was some kind of wild, crazy rock'n'roll firework. It was an easy image to pick up on, but I'd like to think I was a little deeper than that.
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Can you imagine your second album - the difficult second album - it's about God? Everyone is tearing their hair out and Chris Blackwell says, 'It's okay. There's Bob Marley and Marvin Gaye, Bob Dylan, it's a tradition. We can get through it.
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The idea that there is one kind of African is, of course, ridiculous. Sometimes African entrepreneurs want to kill you because you are saying public health is the priority, not roads. Of course they are right to press for that issue, but so are we right, I believe, to argue, for example, that millions of children could and should be vaccinated.
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My heroes are the ones who survived doing it wrong, who made mistakes, but recovered from them.
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Clarity of vision - what you've been looking at from the wrong angle and not seen at all.
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If Bono left, we could carry on. If I left, we'd be screwed.
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Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
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We won't let each other fail.
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You see, idealism detached from action is just a dream. But idealism allied with pragmatism, with rolling up your sleeves and making the world bend a bit, is very exciting. It's very real. It's very strong.
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For me, looking back is akin to being on a tightrope and looking down. It doesn't help you in the present moment to deal with what you have to deal with in order to move forward.
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There's a thin line between interesting music and self-indulgence. We crossed it on the Passengers record.
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If you're wondering what I'm doing here, at a prayer breakfast, well, so am I. I'm certainly not here as a man of the cloth, unless that cloth is leather. It's certainly not because I'm a rock star. Which leaves one possible explanation: I'm here because I've got a messianic complex. Yes, it's true. And for anyone who knows me, it's hardly a revelation.
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Jesus isn't lettin' you off the hook. The Scriptures don't let you off the hook so easily... When people say, you know, 'Good teacher', 'Prophet', 'Really nice guy' ... this is not how Jesus thought of Himself.
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And if I had to spend 20 years in the band just to play that show, I think it would have been worthwhile.
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These goals - clean water for all; school for every child; medicine for the afflicted, an end to extreme and senseless poverty - these are not just any goals; they are the Millennium Development goals, which this country supports. And they are more than that. They are the Beatitudes for a Globalised World.
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Every album is difficult. If it was easy, we'd make one a month.
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Jamming is really the most awful, excruciating experience for me; I really don't enjoy it.
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The human heart is greedy; it will use religion, color, or any other excuse to justify its greed. Blame the human heart.
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Running my hands really fast up and down the fretboard... I mean, anybody can do that. It's the Guitar Olympics, and I can't think of anything more pointless.
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I have a curiosity that compels me to find ways to make music that are fresh and new.
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I might have to take the 12 steps to Workaholics Anonymous.