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The biggest misconception about me was that I was some kind of wild, crazy rock'n'roll firework. It was an easy image to pick up on, but I'd like to think I was a little deeper than that.
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Clarity of vision - what you've been looking at from the wrong angle and not seen at all.
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My name is Bono and I am a rock star.
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The music that really turns me on is either running toward God or away from God. Both recognize the pivot, that God is at the center of the jaunt.
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We had a street gang that was very vivid - very surreal. We were fans of Monty Python. We'd put on performances in the city center of Dublin. I'd get on the bus with a stepladder and an electric drill. Mad shit. Humor became our weapon. Just stand there, quiet - with the drill in my hand. Stupid teenage shit.
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Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
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Then Bono arrived, and he meant to play the guitar, but he couldn't play very well, so he started to sing. He couldn't do that either. But he was such a charismatic character that he was in the band anyway, as soon as he arrived. I was in charge for the first five minutes, but as soon as Bono got there, I was out of a job.
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My heroes are the ones who survived doing it wrong, who made mistakes, but recovered from them.
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If you're wondering what I'm doing here, at a prayer breakfast, well, so am I. I'm certainly not here as a man of the cloth, unless that cloth is leather. It's certainly not because I'm a rock star. Which leaves one possible explanation: I'm here because I've got a messianic complex. Yes, it's true. And for anyone who knows me, it's hardly a revelation.
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We won't let each other fail.
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If Bono left, we could carry on. If I left, we'd be screwed.
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You see, idealism detached from action is just a dream. But idealism allied with pragmatism, with rolling up your sleeves and making the world bend a bit, is very exciting. It's very real. It's very strong.
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Jesus isn't lettin' you off the hook. The Scriptures don't let you off the hook so easily... When people say, you know, 'Good teacher', 'Prophet', 'Really nice guy' ... this is not how Jesus thought of Himself.
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The idea that there is one kind of African is, of course, ridiculous. Sometimes African entrepreneurs want to kill you because you are saying public health is the priority, not roads. Of course they are right to press for that issue, but so are we right, I believe, to argue, for example, that millions of children could and should be vaccinated.
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Running my hands really fast up and down the fretboard... I mean, anybody can do that. It's the Guitar Olympics, and I can't think of anything more pointless.
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And if I had to spend 20 years in the band just to play that show, I think it would have been worthwhile.
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For me, looking back is akin to being on a tightrope and looking down. It doesn't help you in the present moment to deal with what you have to deal with in order to move forward.
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There's a thin line between interesting music and self-indulgence. We crossed it on the Passengers record.
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It's quite widespread in rock culture, that mythology of the shooting star. I'd rather be the North star. As bob (Dylan) says, you can navigate by it.
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Every album is difficult. If it was easy, we'd make one a month.
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The right to be irresponsible and stupid is something I hold very dear. And luckily it is something I do well.
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I think carrying moral baggage is very dangerous for an artist. If you have a duty, it's to be true and not cover up the cracks.
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I have a curiosity that compels me to find ways to make music that are fresh and new.
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For me, my awkward phase corresponded to an interest in rock n' roll. From experience, I'm guessing an insecure childhood is probably quite a common thing among people who start a rock band.