Comedy Quotes
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I think it's true of every great comedy that it's rooted in some dramatic, incredibly personal truth. And it's true of all great drama that there has to be comedy.
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I can work every day of the year. TV is easy. My call's at 8:30 a.m. I'd like to break out of the comedy thing and take a shot at something serious like theater. The off-season allows me to do movies, but I'm not tired of TV yet. There's nothing like it. I've got the best of both worlds.
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Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp.
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Women always think that I'm Chandler, so if I don't joke around for half an hour, they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
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Because it's uncensored cable, I think we'll be able to do the kind of sketch comedy that really hasn't been seen before. We can actually finish jokes.
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I think sometimes in comedy the characters are often sacrificed for the joke, and it's more important for it to be funny than for there to be love.
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Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.
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I used comedy to deflect a lot of situations; if you make someone laugh, they don't want to punch you in the face.
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I played comedies and dramas.
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I would love to do a dramatic comedy. All of that, it all interests me. At some point I want to do my 'Monster,' like Charlize Theron, so I'm buckling up for that.
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I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
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Being around Lily Tomlin has been great, how she treats people, how she handles herself, how she goes about interpreting her character or deciding how the comedy should work.
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More people are going out to comedy shows than they were before.
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I've tried to create a comedy that doesn't look like any other comedy. Maybe traditionally in TV there has been a kind of formula that says, 'Oh, comedy has to look this way; it has to look super bright.' But the way we shoot 'Insecure' is motivated by the mental state of each of our characters.
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I really, really, really want to do a silly romantic comedy where I can just have a crush on the guy, trip over myself, and laugh and be goofy. I just feel like all I do is cry, sob, and fight zombies and the bad guys.
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I don't sell myself. I've never explained my comedy to people who don't get it. Never complain. Never explain.
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Two actors who have different motivations and skill sets can work together and be magic. Charles Grodin and Robert DeNiro technically couldn't work more differently, and yet they made 'Midnight Run,' which is a genius comedy.
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I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.
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But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
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I do comedy shows. I make fun of myself, first of all.
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A good comedy's very hard to make, so good comic writing I really enjoy.
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When doing comedy, I do what makes me laugh. The first person I learned from said I should talk about things I am passionate about - that I love or hate - because the audience likes to see passion. The stuff I rant and rave about stems from a place that really pisses me off.
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People complain that joking about serious subjects is 'making light' of them. Isn't that a good idea? Comedy lets the air out of the bully's tires.
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It was important for me early on to find the voice of each character and figure out what was unique about them and their individual worldview that I could use for comedy or conflict.
