Comedy Quotes
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Why did God have to make Mo'Nique a good actress? What was God thinking when he decided to give Mo'Nique acting chops. Now we have to endure Mo'Nique comedy specials.
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None of us grew up feeling like winners. So thank you to the bullies, to the popular kids, to the gym teachers who taunted us, who rejected us and who made fun of the way we ran. Without you we never would have gone into comedy.
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I remember as a child listening to comedic musicals and thinking they were a real riot. I had pretty questionable taste in comedy.
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With stand-up, there's a little bit of an exaggerated reality because things have to be manipulated to create comedy, to create jokes.
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I love John Irving's stuff. It's that marriage of comedy and tragedy. It's really terrific.
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To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
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When we do well, we do the best comedy on TV. That's not ego; that's just the way it is.
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I primarily have had my career in comedy, and that is something that I have never been too concerned about because I know there is really no room for vanity in comedy. Comedy comes from pain and it is a lot easier to empathize with somebody who is out of shape.
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Foreign audiences are used to seeing Mexico in other sorts of movies. 'Casi divas' is a step toward a more commercially successful cinema, without the violence, blood and exaggerations. The movie reflects a more human Mexico, while remaining a chick flick, although it is not a romantic comedy.
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The English can be a very critical, unforgiving people, but criticism can be good. And this is a country that loves comedy.
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Doing 'Comedy Bang! Bang!,' you have to play at the top of your abilities, so it is so fun to get that opportunity. I've grown a lot as a performer just working with those guys.
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Humor helps ease the tension of race and the differences in society. If there wasn't comedy I don't know if Obama could have ever become president.
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You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
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I feel that the work that I have done in the comedy arena, is priceless in terms of what I learned, timing, everything that these incredibly talented performers were generous enough in teaching me.
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Comedy is harder, because if there's no laughs, it's pretty bad. But drama, if there's no reaction, you can say, 'Well, it's not their cup of tea. Maybe it's too heavy for the audience.'
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With stand-up, I can have an idea, go down the street to a comedy club and work on it, flesh it out, book a venue, people will come, then film it. I do all that myself; I never have to answer to anybody.
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I was a very special child. I did stand-up comedy. I did it all. My family didn't understand. 'Aren't you tired?' I'm like, 'No.' I'm like an insomniac, I hardly sleep, I'm always on the move.
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The comedy I like the best is comedy I can't do, stuff that doesn't touch my arena.
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There is even - as with no other game - a fascinating detective literature, a wry commentary on the human comedy, implicit in the book of rules.
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Sometimes I - with comedy, it's like someone liking you in high school. They either do, or they don't. And when they don't, they don't. And that's it. There are no appeals. You show up, and you're like, 'Hi! I'm -' and you stumble, and they're like, 'It's over.'
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I played myself in an Aziz Ansari comedy, and that was funny to see how they saw me... flowing scarves and a flourish of pink! Eek!
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Part of why I think I have so much fun working in the mockumentary genre is that you can cut to pretty much anything at any time. People are now so conditioned to watch documentaries - they know how they operate, and that you can introduce a new character by cutting to them, and now they're in it. Similarly, being able to treat a sidebar idea that has nothing to do with your main story really seriously, the way the rest of it is being treated - all the pomp and circumstances lend themselves, I feel, to making comedy feel really earned and funnier and weirder.
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There's just something about youth and comedy that go together. Maybe it's that foolishness, that silliness that you can get away with when you're younger, that you can't get away with when you're older.
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The nature of comedy is 'just do it.' But I think what's interesting about it is this joke has been around and why. And it's just saying what's wrong and how wrong can you be if you say it.
