Comedy Quotes
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Doing drama is a very welcome departure from comedy. Although I love doing both, I like to change it up a bit once in a while with roles in serious drama.
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Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
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I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
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I don't need therapy. I'm not going to see a therapist; comedy acts as my therapy. I put my problems out there. I talk about them. I talk about everything before anybody has a chance.
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One of the great upsides about comedy is that you're dealing with really lovely, fun material.
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I learned that comedy is born out of strong characters. I won't begin writing a character until I have a clear take on them.
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That is the problem with comedy in India. Spoofing sells. Come up with original comedy about the hilarious nation we are, with funny accents and odd rituals, and we get into trouble.
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I feel more comfortable in drama. Comedy is a high-wire act. I find it stressful. It's a precision science in a way.
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Robert Smigel is one of the greatest comedy writers in the last 50 years. "TV Funhouse" and Triumph and all those sketches. He's really unique, and he has an amazing comedy mind.
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I can only write what makes me laugh, and what makes me laugh is the comedy I grew up on.
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I did stand-up for a long time, and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve. I feel the freedom of being able to find comedy in the darkest moments because it makes it way more interesting, I think.
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I worked at comedy clubs - if I can use the term 'work' - for several years. I middled at one point. I never made it; I was never a headliner. I never made enough time to write enough good material, in my opinion.
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I'm really not feeling one way or the other with comedy or drama, I'm just sort of doing projects that I've been finding really fun to be a part of.
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Have you ever noticed how a man orders food at a fast-food drive-through window? ... men have an innate desire to be cute while placing their order through the drive-through microphone. It's as if they believe the invisible mike on the plastic menu screen is actually connected to a standup comedy stage somewhere in the recesses of the restaurant.
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A comic book and a straight drama all have the same elements. If you're playing tragedy, you have to be aware of the comedy; if you're playing comedy, you have to be aware of the tragedy. If you're playing comic book, you have to be aware of the reality.
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I'm doing a pilot for Comedy Central with the band Steel Panther. They're faux heavy metal. They started as kind of a tribute band out here, or a cover band, and they're funny guys, and they just sort of morphed into their own thing.
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Some people watch comedy to relax. I watch '21 Grams.' I can recognize sadness and tragedy really easily because it's been with me forever.
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I get a lot of dramas, but I'd like to do a romantic comedy type of movie; that'd be a nice step for me. No more screaming or running or shooting... for one movie where I can just be in love with a boy.
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When you do a good comedy show, you have to understand that if you don't have drama or sad moments, then the comedy turns into a clowning kind of situation.
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As the weeks went on, I realized there was an important role comedy would play in healing the tragedies of September 11. Comedy can help people cope, and many people were coming to the clubs to laugh out the stress.
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I talked about everything, man. I've always written material that everyone can laugh at. I talked about growing up. I did a lot of physical comedy. That was my thing. I was a physical comedian. I did anything and everything from running on a treadmill, I can paint a picture on stage of anything.
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Comedy appeals to the collective mind of the audience and this grows fatigued; while farce appeals to a more robust organ, their collective belly.
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It's a comedy thriller, brilliantly written and it's full of twists and turns at every page. When I was reading it I was desperate to get to the end to find out what happens, it really hooks you.
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The first rule of comedy should be, you must be very lazy. Whoever works should be immediately removed.