Music Quotes
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I love music, and I love acting, so if I can just live and be able to do those two things, I can be happy, you know?
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I've programmed myself musically to come up with love-feeling tracks that are romantic, sexy, but classy, all in one. And that's the challenge. Once I create that music, then the lyrical content starts to come - you know, the stories and things like that.
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Classic rock, psychedelic rock - I like to dig up old music and see what I can get influenced by.
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I was a fan of T-Pain's music growing up. I bought 'Epiphany' and 'Rappa Ternt Sanga.'
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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Twitter helps me connect to the people who help make my music, or the cycle of an album, complete. Without them experiencing the music, it doesn't really exist, so it doesn't make sense to not involve them.
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An Emraan Hashmi film has come to guarantee certain ingredients: An intense, grey central character, a beautiful girl - if he gets lucky, then two - couple of kisses, a few bold scenes, fabulous music and a climatic twist.
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One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
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You know, the thing that struck me about Civil War music was how bloody it was; it was full of hatred. There was incredible vitriol in it.
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I'd really started hating music. I'd started hating all the songs, hating being in the industry, hating doing the shows. So I had to learn to love music again if I wanted to continue doing this.
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I've always had a fascination with making your own music but never have been skilled enough to play the instrument, so to be able to make music without the ability was awesome.
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If you're going to call yourself a musician, you have to go out and make music.
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We just kind saw the images and knew the cliches, so to have the opportunity to go there and learn something about Russian music and about Russian people and to see things apart from being a tourist.
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When I had photographed Prince William's mother, I brought along a CD of Dalida, a French singer, that we played on set all day to relax everyone. I decided to do the same thing for Catherine and William. The contrast of the contemporary informal music playing in the beautiful rooms with so much history caused a lot of laughter.
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When you're playing music, say for instance, you're playing a part of the band and you're looking at your music, your horn is down into the stand. This way, it's up and it goes right on out to the audience, you know?
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I don't care about what people might call my style. It's just like when people call my music 'jangly,' 'dream,' 'oceanside,' whatever - I don't care. I'm just wearing whatever I can scrap together.
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Our music has depth, and attempts philosophical thought and meaning with discussions of infinity, eternity and mortality. There is a line which people cross that turns it into some magical, mystical realm, for which I dont claim responsibility and dont hold any great truck with.
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We will always make music, but Die Antwoord is... finite.
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I'm trying to find the balance and do, like, 'Spanglish' music or some songs in Spanish and others in English or do a translation.
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I had a dream of music and art and the big city in which I would get lost, where no one would know me and I wouldn't know anyone, where I would work at some ordinary job, and if one day I got up in the morning and decided I wasn't going to go to work anymore, no one would ask questions.
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I think it's all about the people who listen to your music, and loving playing and writing. Once you've got those two, and they're your main two priorities, then radio and TV and all the other stuff that comes with it will come. But that's not the be-all end-all.
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I just love storytelling. I write music to tell stories. So when I'm done writing a song, I take it and go, 'Okay. How can I interpret these lyrics differently?' I love taking lyrics that were so close to me at a certain point in my life and then revamping them. I always want to take things to the next level.
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If you wanted to make a film about British teenagers, it would be... well, it wouldn't interest me; let's put it like that. They'd be listening to music I hate, watching TV all the time, and talking about 'Big Brother.'
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Music is like the other person in this film and it's really important for Orlando's character. It leads him on his journey and is with him on his road trip.
