Rock Quotes
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Habit is, of all the plants of human growth, the one that has the least need of nutritious soil in order to live, and is the first to appear on the most seemingly barren rock.
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I've been a fan of The Rock ever since he first came to wrestling. Every time I went to school, I talked about The Rock. So when I finally got to meet him I couldn't believe it! When he walked through the door, I went bug-eyed! 'I'm standing next to The Rock, man!' He's huge. He's very nice, though.
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Ad Rock from the Beastie Boys gave me a present: it's a boombox with a keyboard and a beatbox in it. You can't make that up.
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We're not here to make the ignorant people happy. We're here to write our music for those people that are interested in good rock n' roll music.
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In golf I am one under; one under a tree, one under a rock, and one under a bush.
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I'm talking about noise rock. I don't think that noise rock element belongs in jazz. It's not for me anyway; it just doesn't fit.
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It's Only Rock and Roll.
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The advantage of the Genesis is that it's a rock-solid camera, made by a company with an enormous history and a huge support base. Plus, it's very good in low light using all the Panavision lenses. The downside is that you're recording on tape.
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Give me a rock, and I will roll it.
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People ask all the time, 'What would you be doing if you weren't Kid Rock?' It's simple: I'd be broke Kid Rock.
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When we first started recording, it was before rock, so people thought we were hillbilly hicks. That was something we had to deal with; the girls didn't think we were cool, although they did a few years later. We had ducktails and wore peg-leg pants. We looked like rock n' rollers.
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The movie 'Rock 'n' Roll High School' was a sacred text in my household.
Colson Whitehead -
People like to let loose at rock concerts and it gives them an excuse to do it in a way that is not destructive to others and not really destructive to the band.
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The jury had down right contempt for punk rock grass roots ethics.
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At Standing Rock, we experienced, first-hand, people coming together in their communities and trying to use the levers of representative democracy to try and say, 'We don't want this in our community; we don't want this in our backyard,' and corporations using their monetary influence to completely erode that process.
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My songs lie somewhere in between the evergreen standards, rock n' roll and pop.
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Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.
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I've always loved the idea of mythologies linked to or underlying everyday life, like the kami gods of Shintoism, where every rock, tree and stream has its own little god associated with it.
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The worst time was 1983. Love and life and everything went wrong. I reached absolute rock bottom. I saw the Minotaur at the bottom of the abyss. I learnt of the harshness of the world and its impartiality to human failure.
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My records are borderline dance records. They've got a real electro-rock heart and soul, and the vibe of the sentiment is pop, but there's a lot of people that were like, 'This is a dance record.'
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My mom loved rock n' roll. My father hated it. We couldn't play it when he was around. He liked classical music and Duke Ellington.
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As related, the bank was one of those eastern ones, with Roman pillars and cathedral dimness and, I suspect, a piece of Plymouth Rock in a reliquary.
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'Next To Normal' is rock music. It's a rock opera. That, definitely, has a place in popular music.
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You come to a country music show and it's like a rock show, it's so different, it's just not what people think it is, it's really cool and I think that if people just give it a chance they'd see that it's really cool and I think that's what people are finally starting to see.