Director Quotes
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Oddly, in a sense, I still have more confidence as a director than my ability as a writer. Somehow, directing is just really easy. It's just about being really honest about how you feel about what you're seeing.
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I think it's important that a director be able to know his characters inside and out.
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I'm not as eager to go just work to work. I have another life outside of it, and if I'm pretty sure the movie's not going to have a life, or if it's not a director I believe in, then I probably will say no.
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I'd like Santa Claus to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
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In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective--and to any number of subjective points of view--and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.
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Just being hired by a great director is complimentary.
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An actor gets to take a nap, but the director is working hard from dawn till midnight. I'm kind of lazy.
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What makes it frustrating is when a director or a studio head doesn't see me for the same part that they'll see, let's say, Drew Barrymore for. Drew's a great friend of mine. But it's like, "No, we want more of an American type of girl."
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As a director, I only know how to do it one way, is to pour my heart and soul into everything.
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You are the executive director and screenwriter of your life.
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My father was a psychiatrist, the medical director of a mental hospital in Scotland, and when I was a student, I took vacation jobs there as a nursing assistant. So I did get to see mental illness, but I don't remember conversations about mental conditions. My father was a cheerful man with a robust attitude to such things.
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While Admiral Neffenger is an impressive man, it is naive and dangerous to pretend installing one director can heal what ails TSA, the Department of Homeland Security needs to admit that it has a crisis of bureaucratic complacency - lacking an overarching vision and coherent measures of success and failure.
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I don't watch many films. I just make sure my directors are really good. I will work even with a debut director, but the one-hour narration of the script should be mind-blowing.
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The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you.
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I feel fine, I don't care who the director is. All you have to do is know what your doing - all of us - everybody in the business - that's all you ask anyone - you know your job, I know mine, let's go do it.
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For me, a director is a director immaterial of the gender. At the end of the day, the audience is only interested in watching a good film.
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I try to offer as much as I can to the director so he has as much to work with as possible to create the character that, really, he wants to create in a sense.
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My attitude as an actor, because I'm a stage actor, is whatever the director tells you to do, you try it. You don't resist what a director is giving you.
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There are definitely reasons to do certain things, but I like to stick to good director, good actor, good script.
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For a shot, I had to look like I've slipped on wet floor and hurt my back. My director wanted me to just act it out, but I insisted on doing it with water on the floor to make it look authentic. He was against the idea, but I did it and almost broke my back.
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Every director is themselves; they're not playing a part.
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I've never seen a movie director who was happier to be directing a movie than Dave [Mamet]. His sets, everyone who's ever been involved with one of them will tell you of the funnest, funniest sets you can be on.
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I think the first feature of any director is going to hold a special place in their heart. It's kind of like a first kiss in that its highly anticipated and will be forever ingrained in your memory, but at the end of the day you're just trying not to slobber all over the other person.
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I never think of myself as a big star. Getting good scripts is all I think about. I don't have a godfather or anyone to take care of me. To move forward, I have to be very careful in choosing the right scripts, the right director, and the right technicians.
