Director Quotes
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Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
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I think that artists don't make art - the art makes itself through us. I'm not the doer. I'm just along for the ride. Acting really reminds me of that because I don't write the words; I don't make the decisions. That's the director. Narcissism is a tragic condition. It must be so miserable to live trapped in a reflection that only includes the smallest version of our identities. Our true identities should have no bounds and no limits.
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We didn't have a lot of time to really prepare for a great chemistry. It was more instantaneous and instinctive. In the morning I went to Daniel Craig trailer and if I wanted to make some changes there was sort of a go between me and the director. It was good because Daniel is always like, "C'mon let's go for it. Let's fight for it!"
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As a director, you never think about how an audience would respond. You can think about that, but you will never change what you're going to do.
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When I grow up, I still want to be a director.
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The director is a bit analogous to the conductor of a symphony orchestra. It's a collaborative adventure.
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But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.
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The Actor should make you forget the existence of author and director, and even forget the actor.
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I learn a lot from every director that I work with. I sit on set and watch them, every one.
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From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
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The longer I've been a director, the less I have to direct.
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In Germany, actors tend to be more laid-back and take orders from the director: 'Tell me what you want.' I'm more into collaboration. So are Americans.
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For my entire career, I wanted to be a director. When I was in the theater, it was very difficult to get directing jobs, and I fell into the acting by default. I got in the habit of accepting whatever came my way. Not things that I disagreed with, though. It's not like I had aspirations - well, I did have aspirations to play Hamlet, which I ended up doing.
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In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
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One thing I know is that I don't want to be a director for hire, making genre films.
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Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.
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But I am very confident that David Pleat, the director of football or whatever his title is now days - I am very confident that he, with all his media commitments around the world, knows the market place.
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Vicky Donor or Madras Caf, John's films have been path-breaking. I have full faith in the script of my movie, and my director, too, is a debutante. I like the conviction with which they work, and that gives me a lot of confidence.
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I joke around sometimes and say that the DP [director of photography] is like a shrink for the director, but there's some truth in there.
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As a director, I really wanted to learn and I needed to get away from my own stuff to figure out how to just do things and work with good people.
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I tend to ... if I decide to do a job, want to be able to trust my director...
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In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
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Each Catwoman is specific to the Gotham City she lives in and the director that helps shape her. So it's kind of hard to have a favorite and I'm not just being political, it's hard to have a favorite because each one is so specific as themselves.
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I don't worry about what everyone wants to see. I make movies that please a writer, director and myself. I always think there are enough people smart as me and sensitive as me.
