Director Quotes
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Every director is themselves; they're not playing a part.
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In Germany, actors tend to be more laid-back and take orders from the director: 'Tell me what you want.' I'm more into collaboration. So are Americans.
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When I work, I work very hard. So I look to work with people who have that level of dedication. And I depend on that from everyone. From the director to my crews that I work with.
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The Actor should make you forget the existence of author and director, and even forget the actor.
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I don't worry about what everyone wants to see. I make movies that please a writer, director and myself. I always think there are enough people smart as me and sensitive as me.
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But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.
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Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
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That is a big turn-on for me, a director who knows what he's doing and what he wants, and knows when he's gotten what he wants.
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There is an isolated experience to being a director. It's very communal because there's a crew, but it's only you. You're the one on the hook.
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As a director, I really wanted to learn and I needed to get away from my own stuff to figure out how to just do things and work with good people.
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I don't blame any director for wanting to do something more commercial. That's all part of the business. I certainly have done it, as an actor.
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Each Catwoman is specific to the Gotham City she lives in and the director that helps shape her. So it's kind of hard to have a favorite and I'm not just being political, it's hard to have a favorite because each one is so specific as themselves.
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As a director, I only know how to do it one way, is to pour my heart and soul into everything.
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What a director is looking for is someone who will follow you and no matter what. And if you ask for blue, he's gonna try blue. And if you say, give me a piece of red with it, and they try. And you don't mind so much if it's difficult to get the blue and the red together. As long as they try. And as long as they give everything they can to give you what you want. That's what I'm looking for.
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Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
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You have to be willing to be manipulated in the first place because you can either recognize that in your director and then fight it because you don't trust them, but I'm not going to let them manipulate me. Or you think they're on to something and that they're manipulating something out of you which is interesting and new.
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When Chris Nolan is your director you are like, "I trust that, I'm wrong."
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I think that artists don't make art - the art makes itself through us. I'm not the doer. I'm just along for the ride. Acting really reminds me of that because I don't write the words; I don't make the decisions. That's the director. Narcissism is a tragic condition. It must be so miserable to live trapped in a reflection that only includes the smallest version of our identities. Our true identities should have no bounds and no limits.
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One of the gratuities about being a director is that you can volunteer yourself out of difficult details.
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From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
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Working with a great director is like getting a master class in acting.
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As a director or writer, you have to be so controlling.
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The relationship between an actress and her director is often a very close one.
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As a director, you never think about how an audience would respond. You can think about that, but you will never change what you're going to do.