Director Quotes
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I'm not a director that's about precision and control and perfection, I'm about creating an atmosphere that's organic and interesting and then letting people loose, and for that there's no greater actor or performer than children. Animals are maybe a close runner-up.
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Mel is a great director because he's not just a director, he's an actor, so he knows how to direct actors. I loved working with him. He's great as a director. He's so intelligent. He's generous. I really loved him.
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I have to say from an actor's perspective, to work with a director who has been an actor through most of their career is a pleasure. They generally have a very deep understanding of the process of what you're doing, of how you are building and exploring the character.
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Obviously, if a director doesn't communicative a clear, relevant vision of the material, it will not succeed no matter how good the material.
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I think the mark of a good director is that they surround themselves with good people.
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I don't storyboard like some. I mean, all directors are different. I plan meticulously - really meticulously.
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I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
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I think that what a lot of people tell you, a lot of the job of the director is having an opinion about everything.
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It all has to do with the director, the captain of the ship. He sets the pace, the mood. If the director is quiet, the set is quiet. If the director is loud, then everybody has to be louder to be heard.
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Everybody sees things their own way, but putting it onscreen is a different story - you have to deal with production crews. That's what differentiates a good director.
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You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.
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Most screenplays depend primarily on the vision of a director.
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What a director is looking for is someone who will follow you and no matter what. And if you ask for blue, he's gonna try blue. And if you say, give me a piece of red with it, and they try. And you don't mind so much if it's difficult to get the blue and the red together. As long as they try. And as long as they give everything they can to give you what you want. That's what I'm looking for.
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Oh, what the hell did I know? I went to the set the first day in full makeup and the director told me to take it off. So I did the film without makeup. I had nothing to do with anything I did. I never understood why I was so famous.
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We didn't have a lot of time to really prepare for a great chemistry. It was more instantaneous and instinctive. In the morning I went to Daniel Craig trailer and if I wanted to make some changes there was sort of a go between me and the director. It was good because Daniel is always like, "C'mon let's go for it. Let's fight for it!"
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I think any performing artist can do films, or, as a matter of fact, anybody out there in the street can be a film actor with no experience whatsoever if you've got a good director.
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Every director should take an acting class.
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The foreign-language Oscar is something that doesn't go to the producer or the director; it goes to the country.
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Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
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I think that artists don't make art - the art makes itself through us. I'm not the doer. I'm just along for the ride. Acting really reminds me of that because I don't write the words; I don't make the decisions. That's the director. Narcissism is a tragic condition. It must be so miserable to live trapped in a reflection that only includes the smallest version of our identities. Our true identities should have no bounds and no limits.
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I didn't have the problem of finding myself at 45 on the wrong course - I always wanted to be a film director.
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As an actor, my No. 1 focus was to be on the same page with the writer, director, and producers.
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Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.
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It's seldom that you get to work with one director more than once. I've worked with Clint Eastwood three times, but that's the only one that's happened with, simply because I adore his work.
