Character Quotes
-
Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey.
Raymond Queneau
-
It was really the dream role, and when they first cast me, and I started playing Dolores in the Westworlds and all I knew was the analysis mode and her prairie-girl character, I thought, "Yeah, of course I can do this, and I'm good at it, but why did they pick me?" Not because I'm not capable, but I'm also kind of a tomboy, edgy, so I was curious.
Evan Rachel Wood
-
With us the two great divisions of society are not the rich and the poor, but white and black, and all the former, the poor as well as the rich, belong to the upper class, and are respected and treated as equals, if honest and industrious, and hence have a position and pride of character of which neither poverty nor misfortune can deprive them.
John C. Calhoun
-
Doctrine is useless if it is not accompanied by a holy life. It is worse than useless; it does positive harm. Something of 'the image of Christ' must be seen and observed by others in our private life, and habits, and character, and doings.
J. C. Ryle
-
What your character does for a living is one of the most important choices you can make in a screenplay, even if their job is tangential to the story, because it tells you everything about the condition of their life. Are they doing what they love? Are they doing what they hate?
Alex Kurtzman
-
If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way.
Lorrie Moore
-
No sooner does a great man depart, and leave his character as public property, than a crowd of little men rushes towards it. There they are gathered together, blinking up to it with such vision as they have, scanning it from afar, hovering round it this way and that, each cunningly endeavoring, by all arts, to catch some reflex of it in the little mirror of himself.
Thomas Carlyle
-
I think Ryan Gosling is a really great actor who's meticulous about his work. And I'd love to have the guts that Johnny Depp has to actually go outside the box on a character. When he plays a character, he plays it in a way that nobody else would.
Ashton Kutcher
-
Before it was revealed that my character on 'Lost' had a troubled history, a fan came up to me and said, 'Wow, you're a really nice guy.' To me, that was a compliment, having played a very villainous guy.
Nestor Carbonell
-
Coming from the theater, you know what your given circumstances are every night and who your character is. You're reenacting this one moment of their lives over and over, so you get really good at figuring out how to navigate it. TV was a huge adjustment for me because the script changes every episode, and you have a different set of circumstances.
Andrew Rannells
-
As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene.
Harrison Ford
-
In the mere concept of one thing it cannot be found any character of its existence.
Immanuel Kant
-
You cannot build character and courage by destroying men's initiative and independence.
William J. H. Boetcker
-
When you have satire, it has to be real. No matter how outrageous the comedy becomes, you have to believe in the characters.
Kevin Kline
-
'The Green Lantern' seems a little calculated to me. It's like, 'We've got to get on this gay bandwagon and make this character gay.' Like anything else, there's earnest expressions in the culture and then there's kind of bandwagoning.
Christopher McCulloch
-
To ground a character in reality, you have to use shades of gray.
Brian Azzarello
-
As an actor, you have to be able to take all sides as well. You have to at least be able to understand things. No bad guy looks in the mirror every morning and says, boy, I'm gonna be a real bad guy this morning. He goes after his own what he's after, just like us good guys. You kind of have to take a stand and, a lot of times, you have to take the writer's stand or the stand of the character this writer has created.
Michael McKean
-
An actor doesn't change thought, theme, or mood unless the character does, and the character only does it within the words of the play.
Jason Robards
