Character Quotes
-
Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.
Michael Moorcock
-
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
Carolyn Wheat
-
Literary lineage is part of your autobiography. The authors are the literary base, the image base, the character base that you bring into your civilian work. Same with film, architecture, music, sports. That's one tributary of the autobiography.
David Biespiel
-
It's usually easier for me to begin writing in a character's voice if that person is different from me in some significant way.
Nell Freudenberger
-
I create a playlist for each and every character that I play.
Adhir Kalyan
-
You want, in a sense, to relate to the main character, so often, the main character POV is a bit more of a blank slate.
Jane Goldman
-
I don't play a character. It's totally just an extension of myself.
John Cena
-
For me, I want to find the truth in the word and the character and the line.
Phyllis Smith
-
I think to really be literate in nu shu you only need about 600 characters because it is phonetic. So you're able to then create many words out of one character.
Lisa See
-
One afternoon in early January, the weather showed a lack of character. There was no frost nor wind: the trees in the garden did not stir.
Brian Aldiss
-
A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."
Sergio Aragones
-
As an artist, I think it’s important to develop character development. Collaboration is maybe the best way to help that along with fans.
Matthew Vasquez
-
So in the drafting process, whenever I would discover something about what my character wanted or didn't want, I immediately just wanted my character to admit to that so I could get to the next, more interesting level in the story.
Molly Antopol
-
Well, it speaks to the character of the players more than anything. Bob Myers and his staff have done an incredible job of putting together this roster. I was well aware of the versatility that the roster had, but as I got to know the players I realized they had what it took spiritually, emotionally. They were united. They wanted to win. They were close.
Steve Kerr
-
In general, I enjoy athletes who have a strong character who let their abilities speak for themselves.
Eric Heiden
-
I can't negotiate and collaborate with a character to create a distilled dramatic investigation of the raw material. I need to work with an actor. That stuff about actors who stay in character all the time is nonsense.
Mike Leigh
-
Like, why is Batman so relevant? It's because he gets reinvented constantly. There are a lot of stories you can tell with that character.
Brian Azzarello
-
Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
Sarah Waters