Character Quotes
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The zombie was just an intriguing character; it is a sympathetic character.
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"Vell," said Mr. Weller, "Now I s'pose he'll want to call some witnesses to speak to his character, or p'raps to prove a alleybi. I've been a turnin' the bis'ness over in my mind, and he may make his-self easy, Sammy. I've got some friends as'll do either for him, but my adwice 'ud be this here-never mind the character, and stick to the alleybi. Nothing like a alleybi, Sammy, nothing."
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You don't do background music the way a lot of more conventional films do. The music is often kind of a character in your films to the extent that sometimes you stop and watch someone perform a song.
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A man with a so-called character is often a simple piece of mechanism; he has often only one point of view for the extremely complicated relationships of life.
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I have to say from an actor's perspective, to work with a director who has been an actor through most of their career is a pleasure. They generally have a very deep understanding of the process of what you're doing, of how you are building and exploring the character.
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I think that the joy of writing a novel is the self-exploratio n that emerges and also that wonderful feeling of playing God with the characters. When I sit down at my writing desk, time seems to vanish. ... I think the most important thing for a writer is to be locked in a study.
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After 'Life Unexpected' ended, I wanted to do something that was completely different from Lux and that show. I wanted to be able to keep my fans, but not have them confused about who I was or what my character was.
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Actors sometimes immerse themselves into it so deeply that the line between who they are and their character can become blurred. For me, I think it's just about getting clearer on my whole life and who I am in order to make it possible for me to play whatever character is presented to me at a particular time.
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I am just another fireman because the story focuses on Joaquin Phoenix's character, but I play Joaquin's close friend and I get burned up a little bit, but I don't die.
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The press, important as is its office, is but the servant of the human intellect, and its ministry is for good or for evil, according to the character of those who direct it. The press is a mill which grinds all that is put into its hopper. Fill the hopper with poisoned grain, and it will grind it to meal, but there is death in the bread.
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I'm someone who loses 80 to 90 percent of the time. Even when I lost, I put my body on the line and I told the best story. If I stood out, if my attitude towards fighting was different, I found a way to stay around and keep revamping myself and my character.
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Great persons are great because of good, strong foundations on which they were able to build a character.
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You're an intelligent person of great moral character who has taken a very courageous stand. I'm an intelligent person with no moral character at all, so I'm in an ideal position to appreciate it.
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In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective--and to any number of subjective points of view--and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.
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See a person's means ... Observe his motives. Examine that in which he rests. How can a person conceal his character?
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Suffering is arguably God's choicest tool in shaping the character of Christ in us.
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The hook is a word or an idea spoken by one character which gives the next character something to hook onto when he responds or, like a trapeze artist, gives him something to swing from on his way to another point of view.
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It's the best honor when someone wants to use as their professional title the name of a character that you portrayed.
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In 1977, I wrote a series of poems about a character, Black Bart, a former cattle rustler-turned-alchemist. A good friend, Claude Purdy, who is a stage director, suggested I turn the poems into a play.
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I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.
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If I speak with a character’s voice it is because that character’s become so much part of me that … I think I have the right then to imagine myself into the skin, into the life, into the dreams, into the experience of the particular character that I’ve chosen.
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I do not hold that because the author did a bad job of writing the player need trump it with the same kind of acting. When I go into a picture I have only one character to look after. If the author didn't do him justice, I try to add whatever the creator of the part overlooked.
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A person of character takes as much trouble to discover what is right as the lesser men take to discover what will pay.
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The man who makes everything that leads to happiness depends upon himself, and not upon other men, has adopted the very best plan for living happily. This is the man of moderation, the man of manly character and of wisdom.
