Characters Quotes
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I'm fortunate in that I'm what you call a utility player, in that I can take a scene, if there's five or six minor characters in a scene, that need voice and personality and I can supply those characters.
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There's no rule that we have to like the characters movies are about.
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People buy a game because they like the game and they want to play the game. And there are certain characters in games that people like, obviously. I don't know if a certain character's voice or lack of a certain character's voice can cause somebody to buy or not buy a game.
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The characters write the plot. Their natures do.
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You asked what is the secret of a really good sketch. And it is a sketch is a small play. It's got a beginning, and a middle and an end. It should have a plot; it should have the characters, conflict. It is a little play. And in it, will be funny stuff.
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When I decided to write a novel about Istanbul, I thought I should put the different faces of Istanbul into one book. I also put the characters in a cell, and it's three stories underground, rather than on the surface. The characters have one Istanbul, the other one is above ground. One is in dark, one is in light. That kind of contradiction - those opposite sides - creates a great energy in Istanbul.
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Usually most characters I play are quite realistic.
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I think it's important that a director be able to know his characters inside and out.
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Only strong characters can resist the temptation of superficial analysis.
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I am interested in complex characters who are difficult and have numerous sides. But I would love to do a comedy role - something maybe 'Monty Python'-esque.
Eugene Simon -
I'm happy to try on as many characters as I can.
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It's the primordial characters of the Star Wars. It's the beautiful princess and the callow youth and the smartass that I played and the wise old warrior that Alec Guinness played. And it was a fairy tale. It was a fairy tale.
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The pilot is a sales tool; it introduces you to the characters and might set the template for what the show is meant to be, but there's so many boxes you have to check off on a pilot that it can sort of hurt the storytelling in a way.
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It always takes awhile to find out who the characters are.
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Teaching is enormously satisfying because I'm constantly learning more. Just constantly being exposed to new voices and new life experiences and new worldviews and new structural dilemmas and new characters - it's really exciting for me.
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Soils and national characters differ, but fairy tales are the same in plot and incidents, if not in treatment.
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I mean, I can do that all day long. I can tell you the Vulcan's are not actually devoid of emotion. That they work hard to suppress their emotions. And of course, there actually are no real Vulcan's, though I know the ins and outs of them as fictional characters.
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I think you always need to be able to relate to your characters, but that doesn't necessarily mean...you have to understand why they do what they do, but you don't actually have to be like that yourself.
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Modest fame is not to be despised by the highest characters.
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It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
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I don't tend to think of the characters i play as losers. I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.
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It's not like it would be a stretch, and hopefully I'll get to be funny. There are a lot of characters in skating.
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I grew up being fascinated by accents and dialects. One of the things that interested me were actors that were doing different characters, or sort of more caricatures.
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A lot of times in movies, especially in sequels, the characters become caricatures and just sort of improv machines and joke machines, rather than people you can actually connect to.
