Characters Quotes
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When I was a kid, I used to make up all these characters. I love comedy a lot, and I don't get to do it often. Somewhere in the middle, I shifted into doing drama.
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I've always played characters that were younger than myself.
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I'm here to play different characters.
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I love everything. I love being the empathetic characters. I love being the villains. I think it's like when we're kids, we like to play all kinds of crazy characters and dress up.
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As a Southerner, I love obstacles for my characters.
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All the characters of the Passion agree to the year 34; and that is the only year to which they all agree.
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When I did these psychological characters like the drug addicts, the ones who were rejected and dejected, I started to feel a sort of melancholia which was very unnatural for me to have at a teenage. Then I avoided those characters.
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When characters are drifting away from the "correct road", or in fact from any road they were supposed to follow, they lose control, they find other goals...and possibly their real selves. All these moments of changes, of self-questioning, are like an engine to the films I make - that's where lie the dynamics I'm interested in as a director.
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The finest quality of our characters do not come from trying but from the mysterious and yet most effective capacity to be inspired.
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My characters are not plastic.
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What I love to do requires portraying different characters, and you have to separate your life from the role.
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I love playing characters that are bigger than life and maybe have a darker side that they present to the world. Those are good characters.
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I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it was nice just to round it off and give it some closure.
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I love playing characters who are opposite of who I am.
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I always wanted to live the lives of different people, portray characters that are different from me. But I could have done that in front of a mirror, also, I didn't need to do films for that. At the end of the day, it's this fame, recognition, popularity, the love and appreciation you get from your audience that drives you.
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I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
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Well, finally, the events I've been through have been tremendously complicated. All kinds of characters have come on the scene, and strange things have happened one after another, to the point where, if I try to think about them in order, I lose track.
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I enjoy the writing process and producing; I enjoy seeing an idea come to fruition. I'm driven by very complex characters. You look at the pilot of 'Breaking Bad,' where there's so much depth to the character, you can't help but be invested when you watch.
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I always knew that I wanted to do voiceovers as part of my career. I just kind of didn't expect it to take off the way it did. I couldn't be happier. I love the chance to play so many different characters every day.
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Walt Disney grew up in Marceline, but almost every child has grown up with his beloved characters.
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Villages are small and personal, and their inhabitants have names, characters, and personalities. What more appropriate concept on which to base our institutions of the future than the ancient social unit whose flexibility and strength substained human society through millenia?
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Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.
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I have this tendency to play these horrible, horrible characters.
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The best characters in books are always the difficult ones, and why would you want to fall in love with someone difficult? The ones I'd fall in love with are the ones I'd definitely keep out of a book.
