Feelings Quotes
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I was 30 when I did 'The Matrix.' When you turn 30, your life and your world view change. I remember feeling relieved - it was like I was seeing things in a deeper way.
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Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive.
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Especially since I stared studying acting, I feel like I'm always super-aware of my emotions and my feelings and what's going on with me at every moment.
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I think people are much more concerned about money now. There aren't the big advances of the past. You feel the sense of nervousness about the book industry. It's not like before. Not that I knew very much about what it was like because I was a newcomer to it, but I get that feeling that people are more conservative in their book choices and what they are going to publish and what's a sure sell. As opposed to - just like in the economy - a sense of luxury and sense of risk taking ten years ago.
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So after a lovely family Xmas day, this 80s teen is off to bed feeling a bit sad, but listening to this masterpiece George Michael: I can't make you love me.
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But really people are responsible for their own reactions/feelings and can’t go away blaming others with “YOU MAKE ME FEEL….” when they should really be saying “I FEEL…” because it gives them ownership over their own selves as opposed to constantly holding another accountable for their own happiness.
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The thing with Superman is that he's completely emotionally open to the reader. Meaning what he tells you is what he's feeling; there's a transparency there. And what he tells other characters is usually as transparent as can be. What he says he believes in. So there's an honesty that is both really inspiring writing the character. One thing I love about Clark Kent is that there is a badassery that you don't see a lot. Even as Superman, he's always kind of restraining himself. When you challenge him, I think there's nobody that has a stronger spine than Superman.
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Real love is more than a physical feeling. If there's even the slightest doubt in your head about a guy, then forget about it. It's not real.
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There is no harm in showing your feelings. It's not unmanly.
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Bad directors will tell you they absolutely know how to do it, and how it has to happen; there's this insecurity that leads them to feeling like they have to control everything.
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By making the place and the people and the feelings real, by the time someone closes the cover of one of my books, they have, hopefully, felt all of the emotions of life.
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Steady denial of feelings can confuse and enrage kis. Also teaches them not to know what their feelings are - not to trust them.
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Opinion is ultimately determined by the feelings, and not by the intellect.
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It is a hard, embittering thing to have one's kind feelings and good intentions cast back in one's teeth.
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It's my feeling that any writer can get an emotion into a story without being sentimental as long as the emotion is dealt with honestly, with sufficient clarity, and detail.
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As long as you are feeling discomfort within anything, you're holding yourself in a vibration where all of the things that you have conjured, and all of the things that you have let the Universe know that you want, cannot flow to you.
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Sometimes in the ignorance I feel the meaning Invincible invisible wisdom, And I commune with intuitive instinct With the force that made life be And since it made life be It is greater than life And since it let extinction be It is greater than extinction. I commune with feelings more than prayer
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She never got a chance to fall out of love, to do it properly, slowly and thoroughly, and the result was he was like a phantom limb. Gone but still there. And like a true phantom limb, the preponderance of feelings associated with him were painful.
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I like the feeling of being able to confront an experience and resolve it as art.
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Drama lies in extreme exaggeration of the feelings, an exaggeration that dislocates flat everyday reality.
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We did respect Bernard Leach, although we also were willing to challenge ideas and at least put forth our feelings about the way the pottery was run, about things that were done, about the pots we were making, etc. And we would get into sometimes some very fierce arguments. We'd be shouting at one another because of disagreements.
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Feeling, in the broad sense of whatever is felt in any way, as sensory stimulus or inward tension, pain, emotion or intent, is the mark of mentality.
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There's the underlying feeling that writing must be easy, because it's all about putting letters together. That's only true in the same way that programming is all about putting numbers together.
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In an age of enormities, the emotions are naturally weakened. We are continually called upon to have feelings - about genocide, for instance, or about famine or the blowing up of passenger planes - and we are all aware that we are incapable of reacting appropriately. A guilty consciousness of emotional inadequacy or impotence makes people doubt their own human weight.
