Wanted Quotes
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All I ever wanted Was to know that you were dreaming.
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I wanted the camera to actually observe the people who come from the outside to live inside a country, instead of fantasizing about them. Also, I wanted to say the sum of who we become is thanks to the people we meet. I wanted to make a positive film.
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I wanted my book to make people cry, but I feel like I'm the only person who my book is going to make cry, if they show me the sales numbers.
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I never wanted to stop. I feel like to the day I die I'll play guitar and sing.
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All I want to know is why a party of Fey wanted to kill me,” I said heatedly. The beetle’s lips twisted enough to show fang. “Doesn’t everyone?” Radu hustled me out the door before I could find out if the vamp’s plump little carcass would fit into his overstuffed desk.
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I think the Lombardi teams enjoyed and wanted to get into the big games.
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I had so many offers after 'True Blood' for things that were someone in the same vein, but nowhere near Alan Ball's vision. Or something that was over-the-top and fantastical. And I've always wanted to play the regular, working-class mom, and I've never really had the chance to do that.
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When I was 16 and wanted to be an actor, people told me to go work at the supermarket.
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We didn't really beat them the way we wanted to beat them. We played well below our standards and whenever that happens we're not happy.
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I never wanted to be an actor.
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The trouble with Clare was, not only that she wanted to have her cake and eat it too, but that she wanted to nibble at the cakes of other folk as well.
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When I was four I read the story of horton hears a who and I cried. I wanted to eat that elephant.
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I wanted to be consistent with my exercise, so I committed to working out for 30 days in a row, no matter what.
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When I was in my 20s, I wanted to go after dramatic roles, and I didn't have a tremendous amount of success with that.
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I wanted just one thing – to disappear.
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Bill Shawn didn't edit the writers very strongly, but he knew what he wanted.
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I love all the old pictures - of spanking and Bettie Page and corsets. But you can't do spanking in fashion, so I wanted to do a project where I could really let go and get girls who also love those things.
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I did not let people tell me what to do, and I never wanted to be a groupie.
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For years I exercised to be thinner, and I never got the results I wanted. Now I determine my weight by how my clothes feel.
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I wanted the world to know where I was from. I wanted to say to the world, "We gotcha." America gotcha.
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The thing I ran up against was everybody wanted a song so fast. It took me two years to finish 'Touch Me in the Morning.'
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I've been absolutely terrified every moment of my life - and I've never let it keep me from doing a single thing I wanted to do.
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I suppose all along all I ever really wanted to do was paint people. That never changed.
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Director Michelle MacLaren is the John Cage of this malevolent silence, able to wield it as precisely as a pointillist with a paintbrush. And with 'To'hajiilee,' the final episode of Breaking Bad she'll ever direct, she has painted her masterpiece. Under the unblinking eye of her relentless camera, this was television not as entertainment but as endurance. It was agonizing, nauseating, unbearable. I loved every minute but hated every second. I couldn't wait for it to be over but I never wanted it to end. And I especially never wanted it to end like that.
