Wanted Quotes
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As a young person, I was on the road playing music, so I was getting new environments shoved in my face whether I wanted them or not.
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I was always an Olsen. I never thought of myself as a Brady. I never actually wanted to be a Brady. I always preferred my own family to the Bradys.
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I really love music but I've always wanted to act.
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I've never had a mentor. I've always wanted one. I'm actually really disappointed that nobody took my under their wing.
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The way I like to think about it is, even though I started music early - I started in classical music - it wasn't until I discovered jazz that I really fell in love with music and realized this was what I wanted to do for a living.
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I always felt that if I was going to do a movie, I wanted it to be authentic.
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I always wanted to say I came out of the cornfields and got to the major leagues. That was my biggest thought. But now I can say I came out of the cornfields and got to the Hall of Fame.
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I couldn't imitate anyone if I wanted to.
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I did learn what I didn't know I wanted to know.
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I love all the old pictures - of spanking and Bettie Page and corsets. But you can't do spanking in fashion, so I wanted to do a project where I could really let go and get girls who also love those things.
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For years I exercised to be thinner, and I never got the results I wanted. Now I determine my weight by how my clothes feel.
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I never wanted to marry Roger Clemens. I wanted him to do right by his family.
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We just wanted to go over to Daniel's house with a lump of meat and go, 'EAT IT!
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My sister, who never understood most of the things I wanted her to, might have been able to understand what had happened to me in this summer of weddings and beginnings. And she was right. The first boy was always the hardest.
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I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
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It was the first time that we had sort of articulated our major problem. She wanted to die and I wanted her to live and we were enemies who loved each other.
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I knew exactly what I wanted to do. I wanted to build some kind of lifestyle brand that was preppy and cool.
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I grew up with my dad. I'm an only child. My father was a cowboy, and he really loved me very much, but I think he wanted a son occasionally.
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I felt that in order to do what I wanted to do, I had to do certain things, and one of them was to have a hit in my own right. At least one.
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I wanted the camera to actually observe the people who come from the outside to live inside a country, instead of fantasizing about them. Also, I wanted to say the sum of who we become is thanks to the people we meet. I wanted to make a positive film.
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I don't think she [Marilyn Monroe] saw herself as victimized and a sex object. She knew how to contend with it. I'm sure she was no fool about it. On the one hand, it was very flattering and great; on the other hand, it was probably awful and could be very lascivious and very terrible. But I think a lot of women just wanted to be like her. And that's still true today.
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I never wanted to do anything else but fight, when I was a kid. I never had any broader perspective of my own perspective. I didn't know anything about anything else. I just wanted to fight until I could fight no more, and then I wanted to own a bar and drink and tell war stories.
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I actually wanted to be a writer long before I wanted to be an actor.
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A compromise is a settlement by which each side gets what neither side wanted.
