Songs Quotes
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I used to make my grandparents pay a dollar to watch me sing 'Grease' songs and 'Somewhere Over the Rainbow' in their living room. I was always an entertainer, and I would always do all that stuff, but it slowly evolved into a career, which is great, but it wasn't a plan.
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I prefer playing with a band. It's good to do both, but for me it's quite exciting when I hear my songs completely transformed with the band behind me. You can really get into it more, and so can the audience.
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I'm really happy with the way the band's chemistry is flowing right now. We have a bunch of new songs. We wanted to share our studio experience with our fans.
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The real task was to write songs that were believably bad. It was one of the best jobs I've ever had in
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I'm just so honored to be able to travel around the world and play songs.
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We call them impact songs, and people buy impact songs. But you just never know what those songs are going to be. One of those songs that really went through the roof for us was 'Big Green Tractor,' which I thought was kind of a fun little ditty song that I never in a million years thought would be as big as it was. But it was.
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Everybody knows we're big liberals and I was a very outspoken Hillary Clinton supporter, and I still am. It's impossible for us to separate the songs we're writing from what's going on in the world.
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And for our fans, they're just crazy people anyway. I always look at people in a Green Day shirt, and I think, 'What's wrong with that person? What kind of hang-ups does that person have?' Obviously, it's not just the catchy songs, it goes deeper than that.
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The songs that I sing and the songs that I write have always just been what I feel my voice does well, and what my inspirations have been and a kind of culmination of everything.
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We write a batch of songs and they come out as they come out. It’s not preconceived. It just turns out there are loads of epics on this album. We have high standards for what we want to achieve, but it’s not really well thought-out at all. We allow ourselves a six week writing period to give us enough pressure to bring it out.
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It's warts and all in my songs, and I think that's why people can relate to them.
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If I'm working on a set of songs, and thinking about putting them together in a collection, I start to think about what they have in common. Either on purpose or without meaning to, I shape them all in the same kind of way, because I'd rather the album feel like a galaxy of things that all have to do with each other. I do that with sonic elements, too - it's a matter of each record having its own specific identity.
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Songs should have an infectious melody and rhythm.
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You're playing the songs for the audience and they still think they're good songs. So I tend to get excited by that, audience reaction.
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I just want to write good songs that people love, which is a tough thing to do.
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I'm not the type of person who makes a lot of songs in a day just to see which one is the best.
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We were playing a lot of songs that Kiss hadn't played in years, or haven't played at all. One day, Doc McGhee, the manager, came into the dressing room, and said, 'We really need to film and record this show, because it's so good. It's probably the best Kiss performance I've seen.' So we said, 'OK.' That was the spark that got the whole thing going.
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I've done two albums for Concord Records; one was with Al Jarreau and it did very well for us. The second album was called 'Songs And Stories,' and it had good songs and good performances, but I promised them I would do an album that was more jazz-oriented.
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A lot of times songs are very much of a moment, that you just encapsulate. They come to you, you write them, you feel good that day, or bad that day.
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People say, "How do you write songs?" I say, "Patience." I may have a track that's hot, but no words. I'll just let it sit for years, because I know they're going to meet. They'll find it.
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The King beneath the mountains, The King of carven stone, The lord of silver fountains Shall come into his own! His crown shall be upholden, His harp shall be restrung, His halls shall echo golden To songs of yore re-sung. The woods shall wave on mountains. And grass beneath the sun; His wealth shall flow in fountains And the rivers golden run. The streams shall run in gladness, The lakes shall shine and burn, And sorrow fail and sadness At the Mountain-king’s return!
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But when I started writing songs, I stopped painting completely, and the only art things I do are connected to the career, like album sleeves and, to some extent, posters and things like that.
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When I first started writing these kind of songs that would eventually become Decemberists songs, I was writing them because I knew that nobody was listening at the time and that it wouldn't hurt to challenge myself and get weirder and see if I could alienate more people
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No matter how well a band performs, if its songs are a pile of junk, the group might as well not put the effort into it.
