Songs Quotes
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The war also made its way into love songs, including such kitsch classics as “Your Lips Are No Man’s Land but Mine” and “If He Can Fight Like He Can Love, Good Night Germany!"
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What I really miss these days in music - is the music. I prefer to listen to melodies and songs, not just sounds.
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Give me songs to sing and emerald dreams to dream and I'll give you love unfolding.
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Our songs, we construct them and deconstruct them so much, we kind of forget exactly what we contributed to them. They just start in a certain place, and then, all of a sudden, they finish, and OK, wow, that just happened.
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I love grooves and dance music, but I like the feeling behind songs too.
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Andrew Ridgeley and I had demoed a couple of our songs very cheaply, and we weren't expecting any kind of record deal. We just walked around with our demo tape, trying to find someone to give us the money to demo properly. Instead of that, we got a record contract. It was just an incredibly lucky break.
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Taken together, our songs are like a mural of our lives.
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Thank God for beautiful songs about feeling despair when you yourself are in despair. They really get us through.
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But we're still rehearsing and planning to make a new album next year. We have some really good new songs that we've already been playing on that last tour that we just finished.
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In fact, after Donald Trump won, some of the relief of finishing record was to turn off all the politics for a while. There were some songs that had more of the political stuff that we just decided to wait on and put aside. A few weeks after the election, I stopped watching cable news and just unplugged. My way of dealing with the new situation we're in was to just work on something that I care about.
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Most songs come from things that have happened, experience from everyday life – but sometimes it's just fantasy or something I’ve made up. As if I see a movie playing in my head.
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You can be whoever you want to be when you are writing songs.
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My original intention was to use it just for improvised, soundscape-y stuff, but I ended up falling in love with it. So I put it on a lot of the songs. It's not anything that I'm proficient on, but in the studio, if I spend a day working it, I can shimmy my way around.
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We've always been trying to climb this ladder that leans so hard on our own idea of what our big songs are. We realized recently that we're not a band with big songs.
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Thinking about what songs are coming next instead of just relaxing, breathing and playing from my heart. Sometimes it can get to be almost like the enemy.
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I got about 6037 songs I wrote myself and I'm trying to get them on the market and I just wish people could hear them and stuff but they'll do pretty good.
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When I get home and turn on the radio, I hear songs that are new to me, but to everybody else they're old. I try to keep the music fresh in my head.
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I did some songs for Baz Luhrmann's The Great Gatsby. I had done a jazz album of Roxy songs, and they used bits of it in the film. It would be nice to score a movie one day.
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I never put myself in a box. I like to have various different types of songs and different genres and situational songs. No matter is going on, I have something for that time or era.
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Music is a gestalt. Songs are a life force and they have specific vocabulary to them. You hear a few notes, and they take you into a world of association.
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I don't disrespect the audience. I only sing very well-written, intelligent songs.
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You can't steal an artist's songs and also tell him he can't license that music to a commercial.
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I wanted to protect the songs. I wanted to make sure I could write freely and not be self-conscious about it.
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I wonder what kinds of songs Preston's father sang to him." Zach raised his eyebrows. "I wonder if he's in a cell humming them to himself right now." I should have said something-done something. He was in a dark place, there in the moonlight. But before I could say a word, Zach took a deep breath and looked up at the fortress. "I wonder if I should join him.
