Songs Quotes
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A lot of the songs that we're playing live we haven't played in like 20 years
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I want to do some different kind of songs, but say I want to do riffs, but I don't come up with any riffs that I really think are great. Then I can't do a riff album. I'm more of a song, melody person.
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We always make our records really quickly, and this time we're gonna just slow it all down. Usually we write 12 or 13 songs, and then we just record them and that's it. We'd like to write, like, 40 songs and really spend a lot more time writing than we ever have.
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The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.
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Most of our songs were written on acoustic guitar before they made it to the practice stage.
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I wrote these songs for a dying planet, I'm sorry, but I'm telling the truth.
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I loved the culture of the youth ministry. It was exciting and there were lots of young people, and they were just excited about God. We had this thought that we wanted to write songs that our friends and the people in our youth ministry would love to sing and would love to use to draw near to God, and that’s basically how it all got started.
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Songs hold different memories for different people and the great ones are the ones that become a part of you and your story.
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On the first few albums the songs would grow into strange shapes.
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It's fun to take songs from a completely different context and reframe them. We did two mixtape albums called 'Other People's Heartache' and 'Other People's Heartache Pt. 2,' which were full of those kind of covers and mash-ups, mixed with film music and film quotes.
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The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.
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I'll always be making music. I'd like to do it my whole life - although I also love words and want to write short stories. But right now, my songs are kind of my short stories.
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A lot of the hardcore fans wanna hear the deep cuts - songs like 'Orion' or maybe like a 'Disposable Heroes' - you know, songs that we don't play all the time - and then, of course, they wanna hear 'Sandman' and 'Nothing Else Matters' and some of the hits.
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You don't always get lucky enough to have songs that can breathe and shift meaning. But every once in a while you open up a window and something passes through. It's really nice for me when I discover those songs in my catalogue. It's one of the reasons I try not to get too specific about what my songs mean.
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I write simple songs, and people like that. They're mature enough to appeal to people who aren't teenage girls. Most of my fans are older, and it's nice to think the songs can appeal to middle-aged men and women.
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My voice makes the genre because I sound like me on all my songs - I've made my own genre: Jorja Smith.
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Good Charlotte became more than a band and more than the songs: it became something that the fans owned.
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I just love going out and playing my brother's songs.
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People like to say their songs are like children, but you gotta get those kids out there so they can make some money and pay the rent.
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Winnowing is more like a trip to the confessional...transparent & vulnerable without being sentimental. These songs have elements that are more like prayers & pleas for faith. They're questionings and wrangling in the dark about the journey.
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People are always surprised to find this out, but the songs that we write, such as 'Winner of a Losing Game' and things like that, tend to be more country than the other stuff that we cut from outside writers.
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Because we had two songs online (before the album was out), people were already making assumptions about what kind of band we were and what our album was going to sound like. And that's what a lot of the album is about. It's directed at all those kids that talk on message boards.
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It seems to be really trendy to get excited about a random-ass radio song. Which, I like radio songs, don't get me wrong. But I'm just confused at which ones seem to be heralded as some sort of genius-like concoction. It doesn't totally make sense to me.
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If we found some other dude, to sing I'd love to move on. Write some cool tunes and change the name and go on like that. I don't see continuing as Alice and replacing somebody. We're not trying to replace Layne. We want to play these songs one more time, and if it seems like the right thing to do, it'll happen. I don't know how long it will go or where it will take us. It's kind of a tribute to Layne and our fans, the people who love these songs. It's not some 'I'm broke and I need the money' situation. We love playing together.
