Artist Quotes
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For a producer, you want to be in L.A. You want to be close to the action, and in L.A. there are always singers, artists, songwriters, collaborators and other producers. It's easy to get access to all that, which gives you more opportunity to work records.
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I think it's important as an artist to never forget where you're from.
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It's possible and available to any artist to be himself or herself on their own terms, to be accepted and embraced by black people. You don't have to be a thug to get love from black people.
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The artist must paint as he would speak. I don’t want people to speculate what I mean, I want them to understand.
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I have always suspected that too much knowledge is a dangerous thing. It is a boon to people who don't have deep feelings; their pleasure comes from what they know. . . . But this only emphasizes the difference between the artist and the scholar.
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Not everyone would choose to pay the costly price of being a great artist. To many, the riches of life are quite different. A skill in day-to-day living which adds up to a happy, love-filled life is success. You can have this and other riches, too. The choice is yours.
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An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
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I'm a commercial artist, both in music and art.
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What people don't understand is that how you are as an artist depends on how you are emotionally.
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The difference between EAZY E the artist and Eric Wright the human being, was two separate worlds apart. Behind closed doors, Eazy-E was a real generous giver, A true philanthropist.In 1991, I remember when Eazy-E drove out to Fontana California to drop off $20,000 cash because my twin boys were having hernia problems & and slight medical issues because of being born premature. He stopped his meeting & drove to give me the cash for my twins operations.
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Museums and art stores are also sources of pleasure and inspiration. Doubtless it will seem strange to many that the hand unaided by sight can feel action, sentiment, beauty in the cold marble; and yet it is true that I derive genuine pleasure from touching great works of art. As my finger tips trace line and curve, they discover the thought and emotion which the artist has portrayed.
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The thing I'm going through is probably like the same thing that Little Richard and all these other artists go through, that I hear about them, saying, 'Oh damn, you ain't gonna give me nothing till I die,' ... I feel like I'm one of those type of great people that just going to have to wait till it's all over with for people to really sit around and talk about it.
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I'd love to be an artist always, but if no one wants me, I'd love to write songs for other people, be a manager, nurture new talent.
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I honestly believe that sound commercialism is the best test of true value in art. People work hard for their money and if they won't part with it for your product the chances are that your product hasn't sufficient value. An artist or writer hasn't any monopoly .... If the public response to his artistry is lacking, he'd do well to spend more time analyzing what's the matter with his work, and less time figuring what's the matter with the public.
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I've never thought it was a good idea to act back-to-back. If you are going to have any chance of replicating life, you need to live it. I also never forgot something Johnny Depp said to me, which Marlon Brando said to him, 'You only have so many faces in your pocket.' I really admire artists who take the time to recharge their batteries and not continually call on it. I think you can spot tired and jaded artists quite quickly.
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A fine artist is one who makes familiar things new and new things familiar.
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We are sculptures in the making, just begun by the great Artist; not yet formed but indicative of what is to come.
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It's a big responsibility to help someone express themselves as an artist.
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Silence the artist and you have silenced the most articulate voice the people have.
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Artists must literally go into a zone of intense seeing so the subjective and objective almost fuse together.
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As an artist, I think it's critical for keeping yourself alive that you try to get your hands into something a little bit more intensely. It's one of the reasons why I love theater because you never actually let go of it and it never feels like there's a tremendous distance between the process and the product.
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As an artist, you dream about accumulating enough successful music to someday do just one greatest-hits album, but to reach the point where you're releasing your second collection of hits is beyond belief.
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The difficulty in working with someone on a show like Idol or X Factor is they have an idea of what they think is cool in their heads, and it's important as a producer to maintain control of the session and not let it get side-tracked or chase too many rabbits. But it's also important to let the artist feel like their opinion matters, so that balance is difficult.
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There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.
