Artist Quotes
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People who don't know you, you don't know their motives. They smile at you all day, "Oh, that's great. You've done it again! You're the greatest!" And that's not good for an artist.
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The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].
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The artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.
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Weirdism is definitely the cornerstone of many an artist's career.
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I didn't want to be an artist.
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People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.
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Almost everyone stops being an artist. Most artists don't become artists. But that's another discussion. What it takes to be an artist.
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And if you were a very sophisticated con artist, what would you do to convince people that you were from the future? What benefits would that give you? For us, it's also a question of, "Is she or isn't she?" That's really a major part of the movie.
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I don't really have any secret shames. If I like an artist, I like them. Nothing to feel embarrassed about.
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I admire the artists that work everyday to attest things for themselves... In the act of transforming the objects of the everyday they transform the passage of time and analyze the economics and politics of the instruments of living.
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Proficiency in art is a contract with your self and the empowerment of your self. Not all of us demand or even desire proficiency, but for those who do it's necessary to temper the influence of groups. And while some artists think history is bunk, the historical evidence is overwhelming: "In my isolation I grow stronger."
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To be in any way a positive contribution, that's all anybody wants to be. It's all I've ever wanted to be. I wanted to be an artist, be a mother. You want to feel that in your life you've been of use, in whatever way that comes out.
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I would like to dedicate to the whole world a great message. It is a message from Kusama who has struggled to survive as a human being and as an artist, and whose life has been brightly lit and strengthened by her pursuit of truth.
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My goal the whole time has been for people to see me as a stand-alone artist. I came out with Young Money, the biggest hip-hop label in the world at the time. And then it was, 'How do I branch away from Lil Wayne?'
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The true artist plays mad with his soul, labors at the very lip of the volcano, but remembers and clings to his purpose, which is as strong as the dream. He is not someone possessed, like Cassandra, but a passionate, easily tempted explorer who fully intends to get home again, like Odysseus.
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I want to solidify as an artist and show that as I grow as a person and make mistakes and learn from them, I'm going to grow artistically.
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You don't get to celebrate yourself unless you risk being mocked or rejected. As an artist, you cannot play it safe. You just can't.
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Pictures deface walls more often than they decorate them.
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Bad artists always admire each other's work. They call it being large-minded and free from prejudice. But a truly great artist cannot conceive of life being shown, or beauty fashioned, under any conditions other than those he has selected.
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And then there is that one-man movement, Marcel Duchamp for me a truly modern movement because it implies that each artist can do what he thinks he ought to a movement for each person and open for everybody.
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I really fell for Marilyn Manson. I thought how awful it was that an artist like him could be blamed for something - someone who brings so much to the world and, if anything, probably comforts kids who are in pain by saying, "You're not alone."
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Producing a film is more unfamiliar territory. Although producing an album and overseeing artists is a task within itself. But film is unfamiliar territory so, here and now, that's more difficult.
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The greatest artist is one who expresses what is felt by everybody.
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A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.
