Artist Quotes
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My best business decision was to be independent as a musician and artist. My worst was compromising on certain aspects of a deal for the sake of other members of my group when I shouldn't have, because I was right in the end.
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I felt landscapes would sell more readily, and not being equipped psychologically to be a teacher or commercial artist, that was important.
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To this day, I've never had an assistant. I really insist on doing everything myself because I value the role of the artist's hand so much in the process. But that means I have to learn it personally in order to do it.
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As a new artist, you come out, and there are so many other new artists. It seems like there's a whole wave of new artists that come along every year. In '05, I was part of the crop. It was a lot harder trying to set myself apart from the rest of the pack.
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I would like to dedicate to the whole world a great message. It is a message from Kusama who has struggled to survive as a human being and as an artist, and whose life has been brightly lit and strengthened by her pursuit of truth.
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Nowadays rap artists coming half-hearted, Commercial like pop, or underground like black markets. Where were you the day hip-hop died? Is it too early to mourn? Is it too late to ride?
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Whoever is in charge of the artist will always have the upper hand. They act like it's the artists' world, but it's the other way around, so they're going to do whatever they want to do.
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I'm so used to being behind the scenes. I didn't really want to be front and center. One of the elements of my relationships with the artists I work with is that I'm not front and center, and they are.
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I knew it would happen. I knew I'd be No. 1. I'm a new artist; I don't know the rules. Nobody told me it wouldn't happen
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It's hard for me to say what would happen if I didn't go to art school. It wasn't that I learned any specific painting or drafting skills at school that I felt I couldn't have taught myself. However there is something quintessentially unique and important that you gain by immersing yourself in ascholastic and creative universe, and being held to certain academic standards while being surrounded by artists of varying disciplines.
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Sometimes you learn about the personality of your favorite artist, and you like their art a little less, because it doesn't jibe with what you had envisioned.
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The artist's business is to take sorrow when it comes. The depth and capacity of his reception is the measure of his art; and when he turns his back on his own suffering, he denies the very laws of his being and closes the door on everything that can ever make him great.
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I honestly believe that sound commercialism is the best test of true value in art. People work hard for their money and if they won't part with it for your product the chances are that your product hasn't sufficient value. An artist or writer hasn't any monopoly .... If the public response to his artistry is lacking, he'd do well to spend more time analyzing what's the matter with his work, and less time figuring what's the matter with the public.
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All great artists know that part of their task is to light up the distance between two human beings.
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The precision of their goals allows conceptual artists to be satisfied that they have produced one or more works that achieve a particular purpose... a problem solved can free him to pursue new goals.
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There is a line from the Marina Tsvetaeva poem I'm so fond of: "In this most Christian of worlds/ All poets are Jews." What she means is that writers and artists are outside the normal flow of daily life, the normal flow of society in general.
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I didn't grow up in a naked household, but nudity was not a taboo thing. My mother was an artist and there were naked sculptures and paintings all over the place.
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I didn’t see any difference between being a photographer or being an artist. I didn’t make those boundaries. If someone wants to think it’s art, that’s great, but I’ll let history decide.
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If you're an artist, the problem is to make a picture work whether you are happy or not.
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To try to understand the real significance of what the great artists, the serious masters, tell us in their masterpieces, that leads to God; one man wrote or told it in a book; another, in a picture.
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I began to wonder - I knew I was an artist or wanted to be one - but I was wondering whether I really was an artist. I was doing such ordinary things that I could feel the difference. Most people would look at those things and say, 'Well, that's nothing. What did you do that for? That's just a wreck of a car or a wreck of a man. That's nothing. That isn't art.' They don't say that anymore.
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The artist who is not also a craftsman is no good; but, alas, most of our artists are nothing else.
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I didn't want to be an artist.
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I am not afraid of beauty, unlike most artists today. The pollen, the milk, the beeswax, they have a beauty that is incredible, that is beyond the imagination, something which you cannot believe is a reality-and it is the most real. I could not make it myself, I could not create it myself, but I can participate in it. Trying to create it yourself is only a tragedy, participating in it is a big chance.
