Artist Quotes
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I have always been an artist and have always been a creative person and have always thought outside the box and am always rooting for the underdog. To be on the opposite end in this particular storyline was interesting, but I definitely feel like I could draw from my experience.
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I'm a pop artist, and that's what I'll always be. I don't want to be a 'credible artist.'
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Whoever is in charge of the artist will always have the upper hand. They act like it's the artists' world, but it's the other way around, so they're going to do whatever they want to do.
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Look, people are allowed their own opinions and they don't always coincide with yours. As an artist you just have to keep plugging on.
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The work of the artist is to heal the soul.
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I think people always have - not just journalists who help their careers, I think all people struggle with this idea that a female pop artist can write all her songs. Even I do it sometimes, you see a really good female pop artist and you're like, 'I wonder if she writes her songs.' That's never really my first initial reaction to a male popstar.
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I just close my eyes and act like I'm a 3-year-old. I try to get as close to a childlike level as possible because we were all artists back then. So you just close your eyes and think back to when you were as young as you can remember and had the least barriers to your creativity.
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Through my friend Tony Shafrazi, who's an art dealer and an artist himself - he helped to show Basquiat and Keith Haring, and has worked with the Francis Bacon estate - it was really through my friendship with Tony that I developed even more of an interest in art.
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I couldn’t decide whether it was better to be the art, or the artist.
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I made a conscious decision to take my life and career in a different direction. I started working on a play, and also, by attending Burning Man for several years, I was incredibly stimulated by the art there. I increasingly wanted to be a part of it, and focused on what I wanted to say as an artist.
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Be a great artist in your imagination.
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I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
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I think I'm enjoying writing for me.I know what's in my head, so there's a little less margin for error, but I think I really would like to write for an artist, and obviously it really depends on the artist, and the sort of story I would do.
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Proficiency in art is a contract with your self and the empowerment of your self. Not all of us demand or even desire proficiency, but for those who do it's necessary to temper the influence of groups. And while some artists think history is bunk, the historical evidence is overwhelming: "In my isolation I grow stronger."
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My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.
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The streets and the industry are two different things. You could be one super-hot artist in the streets, and you could walk into a corporate building, and people would be like, "Who are you?"
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I think when people try to use their art for political views, I think they're art becomes smaller, less interesting. And so for me, as an artist, I'm trying to speak about things in a universal way and not be pedantic or small-minded and try to convince other people of my political views. But having said that, every day I live in sort of complete terror because of what I read in the newspaper and what is going on in the world. I'm constantly, as I think many of us are, overwhelmed by the sort of, mass psychosis that's occurring.
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A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.
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I as an artist, as an individual, I have a certain affect on people.
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An artist is a creature driven by demons. He don't know why they choose him and he's usually too busy to wonder why.
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But there's no way round it-commercial success is a mark of failure for a graffiti artist. We're not supposed to be embraced in that way. When you look at how society rewards so many of the wrong people, it's hard not to view financial reimbursement as a badge of self-serving mediocrity.
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Unfortunately, you don't get artist development anymore. Record companies have become a huge corporate thing. It used to be you'd meet someone [in the business] and they'd have a little history of music. Some people in the companies now don't even like music. It's just a job. So I miss the days when someone would go out on a limb and pick a band that was different. I just don't see that anymore. It's the same with the film industry.
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It is not enough that the artist should be well prepared for the public. The public must be well prepared for what it is going to hear.
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It would be a terrible world if everyone was an artist. Nothing would get done!
