Theatre Quotes
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Musical theatre history is littered with bad reviews for now classic pieces.
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I think theatre should always be somewhat suspect.
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When two kids came along, I couldn't see how I could support them. The way it played out, I was away from the theatre for five years. I was a postie for the first part and then worked as an advertising copywriter, but I somehow found my way back.
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As a kid, we had one television channel and a sad little roller rink. And there was not much else to do. So I used my imagination all of the time growing up. That's the main way I played. When we moved and I went to high school, I did my first play, and I was completely addicted to theatre. It felt like home; it felt natural.
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You don't choose the theatre; The theatre choses you.
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I came up almost completely through the subsidised theatre. I have never been absolutely at the market interface, where I've got to sell my wares or die - I've always been protected from that.
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Hollywood is a very interesting place to deal with. And having been a theatre person, I was quite surprised by the slipperiness of some people in Holly-weird. There was a part of me that just said, 'If this is the way the game is played, I'm not sure I want to play it.'
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Memory is not an instrument for exploring the past but its theatre. It is the medium of past experience, as the ground is the medium in which dead cities lie interred.
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People prefer doing films. That is not the case with me. I don't do theatre because I have to but because it makes me feel alive. I enjoy the whole process of rehearsing, though repetition can make it tedious.
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Getting the call to be in The Goblet of Fire was like being welcomed into the most exclusive upper circle of some elite actors' club. You sit on set with the cream of the National Theatre and the RSC, all clutching wands or wearing witches' hats.
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The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
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No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
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I will always choose to work in a movie based on whether I would want to watch it - if I would be willing to spend money in a theatre on it. The script and the people you will work with come after that.
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If you want more people to come to the theatre, don't put the prices at £50. You have to make theatre inclusive, and at the moment the prices are exclusive. Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.
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A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.
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I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.
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It's interesting that the wondrous 'Hamilton,' which I could not be more ecstatic about, has taken a long time to perfect to bring it to Broadway. And it wouldn't have been possible if it was developed in the commercial theatre from the get-go.
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I often joke with my husband and say to him, 'You know I have two theatre degrees, right? That's all I know how to do.' LOL! He went to Pepperdine Law School, has four degrees, and passed the California Bar first time around, so I always make sure he doesn't expect too much from me.
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Cricket is first and foremost a dramatic spectacle. It belongs with theatre, ballet, opera and the dance.
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It's easier to go from theatre to film than the other way round. In film you're absolutely loved and cossetted and cared for. In film your director makes your performance. In theatre you're carrying it all.
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Stepping back into theatre, a childhood dream, I always felt like I would be onstage. I hadn't imagined myself in a composer role... I find it so satisfying to be behind the scenes and writing the music and watching it elevated and characterized by different voices than my own. It's so exciting.
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Before I started writing, I'd never read much fiction. I was more interested in non-fiction. I'm taking the same approach to theatre: I can operate from a position of ignorance and make up my own rules instead of being bound by customs and practice.
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With virtual reality, I'm not interested in the novelty factor. I'm interested in the foundations for a medium that could be more powerful than cinema, than theatre, than literature, than any other medium we've had before to connect one human being to another.
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I was constantly involved in music and theatre all through middle school and high school.
