Theatre Quotes
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But I loved the theatre and I was just doing theatre 24/7 and kept dropping courses because I didn't have the time and the chancellor thought that wasn't a good idea after awhile.
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I just absolutely needed the theatre so desperately - it was my fate; it was where I was running towards. It was the place where I found peace and survival and all kinds of things.
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Theatre is pure teleportation by means of suspension. It’s a voyage into the archives of the human imagination. A passport to all what ifs.
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Boxing is my real passion. I can go to ballet, theatre, movies, or other sporting events... and nothing is like the fights to me. I'm excited by the visual beauty of it. A boxer can look so spectacular by doing a good job.
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My plan was to go to New York and do some theatre, and then I got the script for 'Psych.' I was like, 'Ahh - just as I thought I was out, you pulled me back in!' I had a great meeting with the show creator and we laid out the parameters to make the show work: what I would do, what he would let me do.
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I went to New York University to study experimental theatre in 2006 and was there pretty consistently until 2011.
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The purpose of theatre is... making an event in which a group of fragments are sudde nly brought together... in a community which, by the natural laws that make every community, gradually breaks up... At certain moments this fragmented world comes together and for a certain time it can rediscover the marvel of organic life ... The marvel of being one.
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I grew up in a community of theatre, and I always loved musicals. From a young age, the first present I ever wanted was a video camera. For me it was a great outlet to be creative.
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What I do is interpret, not create. I may add elements and do something different. That is what is so incredible about theatre. Why do we love it that there are nine Hamletsor six King Lears over two years? We love to watch a different actor attack the same material.
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I think some of my best theatre training has been in the Marine Corps. Not only meeting a bunch of characters, but growing up. You're in really adult situations at a young age, as far as being in charge of people.
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I love theatre. It's far more satisfying than film. Sometimes there's a collective sigh from the audience, or it's so quiet you can hear a pin drop. I couldn't believe how easy acting was when there's an audience; after a few previews I almost couldn't do it without one.
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Favourite stadium? I have good memories of my CL debut at Old Trafford, spectacular atmosphere. The Theatre of Dreams, as they say.
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I'm looking for one of two things and sometimes they dovetail: I'm looking to go into a theatre and see a certain kind of show. And if it's not there, I'd like to do it myself so it would be there.
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I had originally planned to do musical theatre and be on Broadway, but then my love for poetry also set in. Once that happened, I became torn between a career as an English teacher or a music teacher.
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The last thing the theatre owners wanted was for people who spent $200 to see 'Les Miserables' to come out again and see the real miserable children of America, right there on the sidewalk.
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But I think theatre in a repressive society is an immensely exciting event and theatre in a luxurious old, affluent old society like ours is an entertaining event.
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I'm really passionate about pantomime because it is often the first introduction for a child to theatre, and if that child has a great experience at a pantomime they will continue to come year after year.
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Myself, I believe that black theatre continues to evolve, and the success of writers like Bola Agbaje and Rachel De-lahay is proof that fresh voices continue to emerge.
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I'm more an actor who can dance and sing if I absolutely have to. I studied theatre in college, but I studied drama, but I don't have that Broadway voice, and I'm not a trained dancer or anything like that. I identify mostly as an actor first and foremost.
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Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood.
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The theater, which is in no thing, but makes use of everything-gestures, sounds, words, screams, light, darkness-rediscovers itself at precisely the point where the mind requires a language to express its manifestations.... To break through language in order to touch life is to create or recreate the theatre.
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I have held the following jobs: office temp, ticket seller in movie theatre, cook in restaurant, nanny, and phone installer at the Super Bowl in New Orleans.
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I got into this thing called the National Youth Theatre, and to me, that was all about the status quo. It seemed to me like 'Downton Abbey' - all the working-class and black people were playing servants, or the gravedigger in 'Hamlet,' and the boys from Eton and posh private schools got Hamlet, all the big roles.
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Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.