Kind Quotes
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The songs I've written that are the strongest, I'm like: 'I don't know where that came from. It just kind of popped out.' You feel you can't take a whole lot of credit for it. I didn't purposefully will it into existence.
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I was a coin collector.I didn't know I was nerdy at the time until I felt my 16-D Mercury Dime that was in uncirculated condition might be a panty dropper, and it turned out not to be. Then I stumbled into skateboarding, which kind of was cooler. But I wasn't aware of what was cool. My dad wasn't around so he couldn't shake me and say, 'Drop the coin collecting bit. It's not where you want to go.' So, that and the spelling bee and the chess, I think I had it figured out for myself.
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It's a little strange to become a kind of symbol of a whole type of analysis.
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A historical romance is the only kind of book where chastity really counts.
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I'm kind of a crazy person about hand sanitizer. I carry the plain ones that smell like aloe, from Target or CVS.
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I really don't know the secret to it, but I'd like to think my desirability is a combination of my personality, my image, and, most importantly, the kind of films I do.
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I kind of lost interest in school. I was never really that interested anyway. I was never academic. I didn't really go to school as much as I should have.
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'The Sundial' is written with the kind of humor that would make a guillotine laugh.
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The thing about stand-up was, not only was I getting to write it without anybody saying I couldn't do it, but I got to perform it. It just kind of became therapy for me. I had just gotten through a break-up and I was talking about it a lot.
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I met Patricia Neal, John Houseman. But I loved my grandfather because he was this kind, talented man.
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Art is a framework, a kind of living trellis, on which public dreaming can shape itself.
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People just kind of associate me with kicking some ass.
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Those are my favorite kind of parts to do, just being a goofball and seeing how far you can go with something until you're just way out of line.
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I can only say the first thing that pops into my mind is I remember, years ago, seeing kind of a has-been country singer working - when I first moved to Nashville - in a bar in a Holiday Inn.
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Let me tell you about customs, James," said Lillian. "I am not accustomed to being summoned to someone else's home. You're very fortunate that I came." "I am indeed blessed," Dad told her. "I am also, by the way, called Jon." Lillian looked faintly surprised. "Are you?" "Really?" Dad asked. "Really? I was the only Asian guy who went to our school. I kind of stood out. While you are an identical twin, and I still managed to know your name.
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I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people. In the '90s, it became kind of a hard and unwelcoming city in many ways. It became conservative, like the whole country.
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I wanted to be an academic when I was 19 or 20. But, I've gone off that idea. The lifestyle is kind of lonely and isolated. I don't think that would suit me.
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We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of the human drama.
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My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
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We are all multidimensional and kind of have dual personalities. Everyone puts on different roles depending on what circumstances they're in without even noticing that they do that.
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That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound.
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As long as you keep one foot in the real world while the other foot's in a fairy tale, that fairy tale is going to seem kind of attainable.
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You have the core hip-hop, which would just be beats and breaks, more something like what you hear with DJ Premier. Then you get into the more highly produced hip-hop, which is something like what DJ Khaled does. But at some point, it starts to get kind of pop.
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When I see a movie with someone it's kind of uncomfortable.
