Kind Quotes
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Do you know what it's like to be the kind of girl that boys never talk to and then suddenly, a boy talks to you?
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I like 'Futurama.' That's kind of the only thing that's my sci-fi thing, although I was big into zombies for a time.
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I really do believe that inner beauty is so much more than any kind of outer beauty.
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I am the ambassador to the world. I use music to talk to the world - to try to unite masses. To try to spark conversations. To try and evoke legislation to change that'll really be for the people. That's behind-the-scenes kind of thing for me. And that's what the music is for me.
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It's a really subtle kind of thing. It makes me feel like Randy Harrison is not a human being to them.
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I'm picky, very picky. I wanted to be an actor since I was nine years old, and I figured that was only one way to ever have any longevity, and that's to be careful about what kind of work you do.
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School was just kind of something where it was like, 'Um, I guess I should get my bachelor's.' My mind is always geared towards the practical.
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Writers in Britain aren't really celebrities. You become kind of a darling of a small set.
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Wickedness is a kind of voluntary frenzy, and a chosen distraction.
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So pretty much, to sum it up, if you can freak someone out and bring that kind of emotion out of somebody with a song, you're doing something right.
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I'm not the kind of guy who has best friends.
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I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
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I'm still kind of a hapless character in my everyday life. But when it comes to the writing, my influences are very old influences. I love American music of absolutely all stripes, including show tunes, advertising jingles, theme tunes from quiz shows, all kinds of American music.
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I like everything I do to have some kind of meaning.
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I know how to make other women look beautiful: from hair to makeup to wardrobe. So, I feel that I have a gift with imaging, and that's kind of fundamental to the music video process.
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I want to keep Flume kind of experimental, weird, melodic, pretty.
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Everyone was telling me you have this great potential and you can be on top. I didn't believe that, but everyone was just telling me to believe in myself. I did and I'm kind of up on top and it's amazing.
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Once a human being has arrived on this earth, communication is the largest single factor determining what kinds of relationships he makes with others and what happens to him in the world about him.
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I don't consider myself a divining rod whom God is speaking through or any kind of crap like that.
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Whenever there's a camera in my face, that's when I feel vulnerable, and then it turns into a little bit of being self-conscious, which I think is the worst kind of vulnerability.
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All contemporary religions and churches, all and every kind of religious organization, Marxism has always viewed as organs of bourgeois reaction, serving as a defense of exploitation and the doping of the working-classes.
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The first time I recorded without Allen Toussaint, I wanted to do doo-wop. Everything I've done since then has got some kind of doo-wop essence in it.
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Thank heavens when the first single Bye Bye came off this album work started to pick up, then I'm Alright has taken us across the world. Radio has been very good, it has chosen to be kind to us.
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I'm the kind of person who would rather rock in my rocking chair when I'm old and regret a few things that I did than to sit there and regret that I never tried.
