Sound Quotes
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He fell as gently as a tree falls. There was not even any sound.
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And in some perfumes there is more delight than in the breath that from my mistress reeks. I love to hear her speak, yet well I know that music hath a far more pleasing sound.
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This sounds really lame, but I'm pretty proud of my feet. I've gotten so many compliments for having nice feet. If someone has a foot fetish, I'd have an in. I love foot rubs, too. I'll take one whenever I can.
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Boss: I just heard that light travels faster than sound. I'm wondering if I should shout when I speak, just so my lips appear to sync-up with my words.
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I know how I look like. I know how I sound. I know how I walk. I'm just gonna be me. I do me, and you do you.
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I’ve come to realize that the playing and the guitar/pickup combination are what you need to pay attention to when looking for that type of sound.
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I love music, but more for the context within the music than a certain sound.
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I love books and going to bookstores. My favorite sound is the sound of the needle hitting the record.
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Kenny Burrell that's the sound I'm looking for.
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If a tree falls in the woods and no one's around to hear it, it still very probably makes a sound. A baseball game that's played with no one around to watch it, though - that's a different proposition.
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Bacon's the best, even the frying of bacon sounds like an applause.
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Enya never writes a bad melody. That's first and foremost her secret. As she goes along, she'll start changing the dynamics, pushing here and there so that not everything is perfectly in unison. It adds a texture you can acquire only from having different voices. The variations lead to interesting quirks. It's an integral part of the Enya sound.
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Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.
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It sounds so stupid...after all this time...to just say I’m sorry...but I am.” “Sorry? You are sorry?” “Yes. Sorry it was you...sorry it was me. Sorry for all the pain. Sorry it had to happen at all.” Minh stared into the monster’s green eyes and for the first time saw something besides hate, lunacy and blood-lust. He saw himself: the same anguish, pity and pain reflected in his own eyes when he allowed himself to look deeply into a mirror. It is not so obvious, he realized, but this man is also terribly scarred. “I don’t know your name...
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I can't draw a line between myself and stuff that I do. It's funny, I don't want to sound like it's just about this, but really with everything I do, it's hard for me to take myself out of it.
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There is such a thing as the poetry of a mistake, and when you say, "Mistakes were made," you deprive an action of its poetry, and you sound like a weasel.
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How little is required for pleasure! The sound of a bagpipe - without music, life would be an error.
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Certain things are done intentionally opposite - like there's no sound at the end or synthesizers or all that stuff. Anything that drowns the movie, no. Anything that makes you sit up and watch it, yes. So, some are expecting a very sad theme going on.
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We listen too much to the telephone and too little to nature. The wind is one of my sounds. A lonely sound, perhaps, but soothing.
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Within a bony labrinthean cave, Reached by the pulse of the aerial wave, This sibyl, sweet, and Mystic Sense is found, Muse, that presides o'er all the Powers of Sound.
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I think I had it in the back of my mind that I wanted to sound like a dry martini.
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You thank God [for your salvation] because "you do not attribute your repenting and believing to your own wisdom, or prudence, or sound judgment, or good sense.
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I only worked with people that I musically identify with. I typically chose songs they played for me, but in some instances I told some of the producers how a certain song should sound. Some songs were co-written by applying lyrics I had prepared over top of one of their old instrumentals or simply through improvisation. I wrote all the lyrics and was there during every production process, checking out every sound. However, most of the music was composed by the artists themselves. Most were usually very surprised at how their songs sounded with vocals! C.H.I.F.F.R.E. did the main production very well and we both wanted to try and achieve a roots-y electronic music sound, a little raw and noisy, but not too digital. I wanted a warm sound that left space for intimacy.
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When you're young, you keep reading new writers and you keep changing your mind about how you ought to sound.
