Black Quotes
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When I first appeared, people couldn't figure out whether I was gay, straight, black, white or whatever, and I loved that. I loved the fact it scares people.
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All my work shares a kind of balance between black comedy and sad and despairing melancholy.
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I claim my right to think for myself, to refuse to have my ideas assigned to me as though I was an intellectual slave because I'm black.
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I just grew up a poor black kid in Alabama with a single mom and two brothers.
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My biggest love has always been the music Black Veil Brides make, but that doesn't mean I don't listen to or enjoy other things.
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I don't wear a lot of color because I live in New York, and I'm sort of color-blind, so colors don't match to me a lot of the times, and it makes me anxious. So I'll always defer back to black.
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As far as stand-ups go, I always loved Richard Pryor, Chris Rock, and Sinbad. Basically, I love black comedians because they're the funniest. I wish I were a black comedian, actually.
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There are no more white linen sofas in my house. We have a rule here: Anything below 36 inches has to be brown or black - the color of chocolate or peanut butter!
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Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.
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Never did anybody look so sad. Bitter and black, halfway down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waves swayed this way and that, received it, and were at rest. Never did anybody look so sad.
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In America, black urban teenagers have long been lacking in inclusion. In France, there is a comparable lack of inclusion among North Africans. In much of Europe, there has been little attempt to include the Roma.
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When the soul, through its own fault... becomes rooted in a pool of pitch-black, evil smelling water, it produces nothing but misery and filth.
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The only other thing I can really remember wanting to do besides acting was a gas station attendant. At the time, that seemed like a great job - wash the windows, pump the gas - it looks so cool coming home with black hands. There's a natural transition, from wanting to be a gas station attendant to being an actor, right?
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Naturally we need black men to give this movie serious credibility.
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By regulating marijuana, we can put black market drug dealers out of business and eliminate the rebellious allure that attracts young people.
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Your white uniform as a black domestic was your ticket anywhere in town.
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In the aftermath of Hurricane Katrina, we did create Color of Change, an organization which focused on African-Americans in particular, because we felt that there was a big gap there in terms of online advocacy which had left the black community particularly vulnerable.
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Your man Daddy Yankee, some black and white people who know what's going on in the 'hood and the clubs are supporting him and loving him. But he's speaking Spanish, and he's speaking directly to the Latino people, and the people who know the language really dig it.
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It blew my mind, ... There were two girls who acted out the poster of the movie. They had a little red sofa by the side of the road. One was dressed up in a black suit like Orlando with a black wig and an urn. And the other was Kirsten with the champagne glass and her legs crossed; it was so sweet. I was truly in shock.
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I have a bit of a consummate victim in my head. That’s who I identify with throughout history. When I was 10 I would draw black eyes on myself because I thought it was cool. You’re so into people who are tragic. You want to be that so badly. But you probably aren’t really the tragic genius that you think you are.
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I want to be someone who is a great representation of a black woman in Hollywood, a black woman in the entertainment industry.
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When I found photography, I found this other kind of portraiture of black families and black people who were photographing themselves or having themselves photographed in ways they wanted to be seen.
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I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
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You may be assured that we won't ever let your words die. Like the words of our Master, Jesus Christ, they will live in our minds and our hearts and in the souls of black men and white men, brown men and yellow men as long as time shall last.
