Superhero Quotes
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The superhero is a really popular figure in the West. In Asia or Korea, the young viewers are amused by the figure, but it is not really so sensational.
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Some directors want to make superhero films. That's what gets them off, and they love it, and they love sci-fi. I prefer putting my hands into non-fiction.
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If there's any sort of superpower we desperately need right now, it's this transcendental force that reminds us of union and connection. I think that superhero stories come from somewhere. We make these aspirational images, to remind us that we have this capacity in ourselves already. I think that electricity can run through disconnected wires. Superheroes, every single one of them, come from the world of imagination and they're played by humans, they're written by humans, and it's in the belief that we invest in these characters that they come to life.
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I've always loved movies and animation. When I was little, I was always pretending to be some alter ego superhero. For years it was Ultraman, ninjas, Spiderman and other cool super heroes.
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My dream role would be to play a Korean hero in a Hollywood superhero movie.
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Anyone who's making a huge impact or speaking out about what they believe in or who's brave enough to be themselves is a superhero to me.
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I'm that mild-mannered guy, but when we get on that stage, I think there is a magical force, and everyone sort of turns into a superhero. I get my gear on and I just go to battle. When you hit that stage, something comes on. It creates a different kind of energy.
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About Superman and Batman: the former is how America views itself, the latter, darker character is how the rest of the world views America.
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I'm proud that I can represent, within Cyborg, a couple of different groups. One being people of color, but also, Cyborg is a superhero that is in many ways disabled. So, being able to give representation from that end as well is something that's really powerful to me.
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Every superhero has this superhero identity and a civilian identity. A lot of their lives are about code switching.
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Ever since the Tim Burton Batman of 1989, it has been de rigueur in movies to focus on the freaky alienation aspect of the superhero's life: This is how talented people make movies for 14-year-olds while retaining their self-respect.
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There's the chiselled superhero that we're used to seeing and we've all grown up with. But Doctor Who has never been that, which is wonderful. It's attainable in so many ways.
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I grew up very inspired by 'Superman One' and by kind of the promise of the genre of what a superhero origin story can do.
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I, for one, suffer from a little bit of superhero fatigue.
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'Shadow Hero' was my first superhero story. I don't know why it took so long.
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The Green Lantern is a unique superhero because it's not that he's super that is his focus; it's that he's a man. He's very human. That's his greatest strength and his greatest weakness.
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David Ortiz is almost like a superhero. The type of love that he gives and everything, the positivity that's around him - a lot of people admire him and respect him.
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Everybody cryin' mercy / When they don't know the meaning of the word.
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Sometimes when I'm writing a superhero story I wonder if they really have to punch each other in the face. Is that really going to solve anything? I feel the same way sometimes when I watch episodes of Law & Order. I'm like, "Yeah, right. You found the sex offender and now everything is fine." TV is big on closure, but I think closure is horseshit in real life. I'm still haunted by stuff I did in my teen years when I think about it too much.
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It's a strange thing to be a so-called alternative cartoonist, because in the early part of my career, I was really tethered to the superhero world.
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To me, superhero movies are like Greek myth.
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I don't want to massively slag off Marvel, I don't. Because they have just employed a woman to be their superhero, and so hallelujah.
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You don't just have to see superhero movies. Ultimately, those movies are westerns - superheroes are good guys fighting bad guys in a landscape. In westerns, that divide couldn't be any more clear, but the only superpower you have is that you're a quicker shot than the other guy.
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Jody Houser, who writes Mother Panic, has this noir-ish superhero style. She's very adaptable.
